Ultimo tango a Parigi

1972 [ITALIAN]

Action / Drama / Romance

77
Rotten Tomatoes Critics - Certified Fresh 81% · 43 reviews
Rotten Tomatoes Audience - Upright 75% · 10K ratings
IMDb Rating 6.8/10 10 63143 63.1K

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Plot summary

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

Top cast

Catherine Sola as TV Script Girl / La script-girl
Catherine Breillat as Mouchette
Maria Schneider as Jeanne
720p.BLU 1080p.BLU
1.03 GB
1280*694
English 2.0
TV-MA
23.976 fps
2 hr 9 min
Seeds 20
2.03 GB
1920*1040
English 2.0
TV-MA
23.976 fps
2 hr 9 min
Seeds 58

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Jeanne" (Maria Schneider) is flat-hunting when she encounters

"Jeanne" (Maria Schneider) is flat-hunting when she encounters the predatory "Paul" (Marlon Brando) in an empty apartment where he proceeds to rape her. It turns out that he has recently lost his wife to suicide and is completely bereft - bewildered and almost feral in his attitude towards this girl. He rents the apartment and she comes back for more - always using the no names no pack drill routine as the sex becomes perfunctorily obsessional for both of them. The question is - can they both remain so dispassionate emotionally as their rendezvous become more intense, more humiliating for her and ultimately completely addictive? She is obedient in every way, and like most things reliably delivered on a plate the sex soon ceases to satiate his desires. He must completely control this young woman. She, meantime, is engaged to the aspiring film director "Tom" (Jean-Pierre Léaud) who remains blissfully oblivious of his fiancée's peccadilloes. In the end, it's going to be "Jeanne" who has to take control of her own life - but which way will she turn? For a film that's essentially about passion, this is an entirely sterile affair with little actual chemistry between the couple as Bertolucci exposes us to endless pointless female nudity, some clumsily choreographed sex and a surfeit of dialogue that doesn't generate steam so much as spray amidst a series of gratuitous nookie that did neither Brando nor the marginally more natural Schneider any favours. If it's supposed to be a penetrative look at the human psyche, or at our animal instincts, or maybe even at our dependencies, then I'm afraid it was all just too plodding, repetitive and undercooked. This just wasn't for me, sorry.
Reviewed by Pedro_H 6 / 10

A milestone in cinema, but cold and alienating

A tired middle aged American businessman encounters a young woman while flat hunting in Paris; and starts a torrid affair with her.One of the those movies that more people have heard about than seen and probably works better that way. While certainly sexually frank, even today, it is far too European art house for most tastes.The plot idles, stops and jerks like a country milk train, leaving so many questions unanswered that you have to write half the script in your own head to get through it.Brando's portrait of a man that seems torn between falling in love and falling under a bus is certainly unique. Especially as most viewers and critics had concluded that he had already shown his full hand of cards. In contrast co-star Schnieder is amazing in being able to put together a performance from so little. Indeed she is just an inflated muse, who the film seems little interested in.My problem with the film is that it is about emptiness, depression and alienation; but there is so much of it about anyway (and always has been, just turn on the news!) that going looking for in cinema seems pointless. The sex is not really sexy, merely people trying to enliven their dull lives not unlike people who take drugs to achieve the same. If there is romance here, it can only be seen as a sadomasochistic romance played out among damaged people.LTIP is certainly a milestone picture, if only for Brando's totally open and no holds barred performance, but it leaves far too many question unanswered to be anything like a classic. Indeed this is merely an exercise in mood, tempo and design and was a box office hit because people had not seen frank sexuality on the screen like this before.The world of sex-on-film has moved on so much since this was released that today's audience will not have a clue what caused the press headlines. Indeed many will be yawning through the famous scenes that once shocked a generation...
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