★ 6 / 10
When “Kit” (Debra Winger) and her husband “Port”
CinemaSerf
When “Kit” (Debra Winger) and her husband “Port” (John Malkovich) realise that their relationship is running out of steam, they decide to head into the…
When “Kit” (Debra Winger) and her husband “Port” (John Malkovich) realise that their relationship is running out of steam, they decide to head into the Moroccan desert and rejuvenate their lives. Things don’t quite get off to the start he’d want though as he quickly finds himself in an erotic knocking shop complete with noisy chickens whilst befriended by the rather sexually ambiguous and sweaty “Eric” (Timothy Spall) and his frugal mother (Jill Bennett). They have their uses, though, as his wife and their friend “George” (Campbell Scott) have headed into the interior and he wants to pursue. It’s upon this journey that we realise, through some narration, that nobody here has ever been especially honest with the other and that any solution that may emerge here will be, at best, an hybrid of what they wanted/expected or even dreamt. Though both Winger and Malkovich take the lead here, and deliver competently, I found it was actually the supporting cast that worked better at illustrating the toxicity of this scenario. Spall, especially, but also the native tribespeople who take part and who viscerally illustrate the contrast between our two amidst marital turbulence and societies that subsist amidst the arid, fly-infested yet beautiful villages of the northern Sahara. It’s that photography, reminiscent of the Jack Cardiff, that conveys a marvellous combination of the passive, the manic and the serene as the people gradually diminish into a timeless vista that for me, anyway, symbolised the superfluous nature of mankind and the irrelevance of our, largely self-inflicted, problems. As to the conclusion of the story, well I have to say that I didn’t really care one way or the other about these spoiled and rather selfish characters whose melodrama and peccadilloes didn’t really matter in a grander scheme of things. It’s that uninteresting story that dragged this down for me, that and the fact that Bertolucci seemed intent on peppering the film with sex scenes as if to compensate for a broader lack of something more substantial to demonstration any kind of emotional connection between just about any of these characters. It is a great looking film to watch but as a story I found it a little on the shallow side.
★ 8 / 10
An intimate epic and one of Bertolucci's most underrated films.
MOscarbradley
As photographed by the great Vittorio Storaro, Bernardo Bertolucci's "The Sheltering Sky" is one of the most visually beautiful films ever made, almost every…
As photographed by the great Vittorio Storaro, Bernardo Bertolucci's "The Sheltering Sky" is one of the most visually beautiful films ever made, almost every frame a painting in light. It is based on the novel by Paul Bowles about an American couple travelling in North Africa and trying to rekindle any passion that might have been in their marriage. Unfortunately, that flame seems to have been extinguished a long time ago. They are brilliantly played by Debra Winger and John Malkovitch, both at their very best. They have in tow a handsome young American, (Campbell Scott, excellent) and on their travels they meet an eccentric British couple, (Jill Bennett and Timothy Spall), and then there is the handsome young Arab, (Eric Vu-An), that Winger succumbs to. Bowles himself pops up now and then to comment on the action.
It is a slow and cerebral film. Neither Winger nor Malkovitch say very much but convey their feelings in the way they interact with each other. Of course, for a great deal of the time it is impossible to tell if they really love each other or if they simply need each other or if they need each other at all and again, thanks to Storaro, it has all the beauty of a travelogue even if the vast alien landscapes and the appalling conditions in which they find themselves are more likely to put you off visiting North Africa. It is also one of Bertolucci's most underrated films, an intimate epic on the transcience of human relationships and the need to go looking for ourselves in the most unlikeliest of places.
45%
TOMATOMETER
· 29 reviews
79%
AUDIENCE
· 5K ratings
6.7/10
15K
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The movie that inspired Madonna's Frozen!