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Égi bárány

1971 [HUNGARIAN]

Action / Drama / War

Égi bárány

1971 [HUNGARIAN]

Action / Drama / War

Available in: 720p.BluRay 1080p.BluRay

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6.4/10 · 288

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Plot summary

Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.

Director

Miklós Jancsó

Top cast

Jaroslava Schallerová as A fiatal anya / The young mother

Péter Halász as

Daniel Olbrychski as A hegedülõ / The violinist

Balázs Tardy as

Tech specs

720p.BLU 1080p.BLU

807.43 MB

1194*720

Hungarian 2.0

Subtitles

24 fps

1 hr 27 min

Seeds ...

1.46 GB

1792*1080

Hungarian 2.0

Subtitles

24 fps

1 hr 27 min

Seeds 1

Comments 2

TheIronHammer 1648 days ago

Pretty good movie, it's heavily alegorical, so if you don't know all that much about Hungary you won't understand a lot. I found this movie only because I was looking through the roles of one of the actors who play there - Daniel Olbrychski, a Polish actor, and a pretty good one at that.

Eliya2403 1650 days ago

Thank you ! More Miklos Jancso please !!!

Showing 2 of 2 threads

IMDb reviews

From IMDb

5 / 10

I Have Only A Vague Idea What This Movie Is Supposed To Be About

jrd_73

When I was in college, my film class buddies and I would sometimes joke about creating a film festival called The Very Foreign, Foreign Film Series, dedicated…

When I was in college, my film class buddies and I would sometimes joke about creating a film festival called The Very Foreign, Foreign Film Series, dedicated to the most impenetrable of foreign films. I think Miklos Jancso's Agnus Dei could have played opening night. There are some who will try to bluff their way through a review of a movie they did not understand. I am not one of those. I have admired some of Miklos Jancso's other films. I especially liked The Round-Up. I know that Jancso finds much inspiration for his film from Hungary's past, a past about which I know very little. I also know that Jancso is known for long takes with moving cameras. Some of these shots can be breathtaking. There are such shots in Agnus Dei as well. I was carried along by the film's motion for about the first half, but then I became increasingly restless and confused. The first Miklos Jancso film I ever watched was The Red and The White. I remember being slightly confused about which side was which and about the way both sides committed nasty acts. Agnus Dei is somewhat similar. The film is set in 1919 during a leftist rebellion against landowners. What I got out of watching it is, that unlike The Red Army in the previous film, the leftists here were trying to fight honorably, but were doomed to lose because the other side was completely ruthless. Take for instance the priest character. He is on the side of the landowners and also seems somewhat mad. He is captured by the leftists, but then let go. This turns out to be a big mistake because the priest is not as merciful as the leftists. All of that I understood, while wondering if there was more to all of this than I was getting. However, the final third becomes frustratingly vague. There is young man with a violin who appears about halfway. Whose side is he on? I don't know. He seems to be for and against both sides. The film climaxes with this giant bonfire that might be intended as symbolic. Then, there is a final twist of the knife involving that young man with the violin that just had me scratching my head. Agnus Dei is certainly not a viewer friendly film. On the other hand, Miklos Jancso can shoot a nice-looking tracking shot. There are some good ones here.

5 / 10

I Only Have A Vague Idea What This Movie Is Supposed To Be About

jrd_73

When I was in college, my film class buddies and I would sometimes joke about creating a film festival called The Very Foreign Foreign Film Series, dedicated…

When I was in college, my film class buddies and I would sometimes joke about creating a film festival called The Very Foreign Foreign Film Series, dedicated to the most impenetrable of foreign films. I think Miklos Jancso's Agnes Dei could have played opening night. There are some who will try to bluff their way through a review of a movie they did not understand. I am not one of those. I have admired some of Miklos Jancso's other films. I especially liked The Round-Up. I know that Jancso finds much inspiration for his film from Hungary's past, a past about which I know very little. I also know that Jancso is known for long takes with moving cameras. Some of these shots can be breathtaking. There are such shots in Agnes Dei as well. I was carried along by the film's motion for about the first half, but then I became increasingly restless and confused. The first Miklos Jancso film I ever watched was The Red and The White. I remember being slightly confused about which side was which and about the way both sides committed nasty acts. Agnes Dei is somewhat similar. The film is set in 1919 during a leftist rebellion against landowners. What I got out of watching it is, that unlike The Red Army in the previous film, the leftists here were trying to fight honorably, but were doomed to lose because the other side was completely ruthless. Take for instance the priest character. He is on the side of the landowners and also seems somewhat mad. He is captured by the leftists, but then let go. This turns out to be a big mistake because the priest is not as merciful as the leftists. All of that I understood, while wondering if there was more to all of this than I was getting. However, the final third becomes frustratingly vague. There is young man with a violin who appears about halfway. Whose side is he on? I don't know. He seems to be for and against both sides. The film climaxes with this giant bonfire that might be intended as symbolic. Then, there is a final twist of the knife involving that young man with the violin that just had me scratching my head. Agnes Dei is certainly not a viewer friendly film. On the other hand, Miklos Jancso can shoot a nice looking tracking shot. There are some good ones here.

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