***Joan Crawford Analyzes the Missing Link; Plus Cutie
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***Joan Crawford Analyzes the Missing Link; Plus Cutie Kim Braden*** This 1970 British flick mingles elements of "Planet of the Apes," "Frankenstein" and…
***Joan Crawford Analyzes the Missing Link; Plus Cutie Kim Braden***
This 1970 British flick mingles elements of "Planet of the Apes," "Frankenstein" and various Sasquatch tales. The scenes where Joan studies Trog are like an inversion of the scenes in "Planet of the Apes" where the female doctor chimp (Zira) analyzes Charlton Heston. "Frankenstein" comes to mind because of the fairly sympathetic portrayal of the half-man/half-ape and his gentle treatment of a little girl. Being a low-budget English film directed by Freddie Francis it has a decidedly Hammer-esque look and vibe.
Some have mocked the film as "campy" but this simply isn't true; the story is played completely straight. Nothing about it is consciously artificial, exaggerated or self-parodying, like, say, Alan Rickman's performance in 1991's "Robin Hood: Prince of Thieves." THAT's campy.
The ape make-up is similar to that of "Planet of the Apes," albeit with a more protruding maw. In fact, it looks like someone dug the ape mask out of the trash from the set of 1968's "2001: A Space Odyssey" (which they probably did!)
This was Joan Crawford's final film and has been heavily panned. I don't understand this because it's not really THAT bad. As a matter of fact, the material is taken serious by all involved as the story tackles the question: What would it be like if the so-called missing link was actually discovered ALIVE? Of course, you have to take into account that the perspective of the movie is 1969, when it was shot. Given the period and the low budget, the movie has its limitations, which can be witnessed in two glaring ways:
(1) The overlong dinosaur sequence of stock stop-motion footage that I assume are images from Trog's memory; and (2) the appearance of Trog himself. In regards to the latter, the head and facial features of the ape-man look quite good for 1969, it's the rest that leaves much to be desired. Basically, Trog is just a small-ish white dude walking around in a loin cloth and fur "tennis shoes" with what looks like a short fur cape. This is the extent of the Trog costume and it looks lame, which is probably why people mock the film -- the "monster" is more laughable than fearsome.
Upon reflection, though, since Trog is half-human and therefore mostly hairless, it makes sense that he would obtain furs to make rudimentary clothing for warmth warm. This assumes, of course, that he'd have to occasionally leave the caverns to kill animals for furs; and likely food as well (after all, what would he eat in the darkness of the caves?). Since he's half-human he would have the intelligence to do this.
What makes "Trog" an essential purchase, besides being Crawford's last film, is the stunning Kim Braden, who plays Joan's daughter/assistant, Anne. Kim is fully clothed at all times, usually wearing cute short-skirt/dress outfits, proving that attractiveness is more than a matter of showing skin. What a cutie! Interestingly, Kim went on to play Captain Picard's wife in the Nexus in the outstanding 1994 film "Star Trek: Generations."
The film runs 93 minutes and was shot in Berkshire and Buckinghamshire, England.
GRADE: C+
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★ 4 / 10
The only reason to watch this is to see that Joan Crawford never gave up
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The good: There is precious little but the ultra professionalism of Joan Crawford even in dreck like this is impressive indeed. She was aware what she was…
The good: There is precious little but the ultra professionalism of Joan Crawford even in dreck like this is impressive indeed. She was aware what she was involved in and while many actors would have just phoned in a blank wall of a performance Miss Crawford would never allow herself to lower her standards to that level. At least by providing her own wardrobe, a budget necessity, she at least guaranteed that although matronly she was at least stylishly dressed amongst the mess that was surrounding her. A pity that this was her cinematic swan song after such a fabled career. She was offered a few more parts, albeit supporting roles in both Airport '75 and Airport '77 which are hardly masterpieces but at least more distinguished than this, but had lost her confidence and totally withdrawn from public view. Beside Joan keeping a stiff upper lip while encircled by junk there are some pretty views of an English village and the surrounding countryside and some very buff actors in the first sequence who strip down to their undies and take a dip to go exploring a cave. Those are the sum total of worthwhile elements in this clunker.The bad:everything else in this terrible movie. Only for completist fans of Joan or extremely bad movies.
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Michael Gough does more acting in one minute than most other actors do in a whole movie. Just watch him gnaw the scenery in this.