★ 7 / 10
***A radical Left-winger falls in love with a
Wuchak
***A radical Left-winger falls in love with a more conservative WASP on the verge of WW2 and post-war*** A disparate couple meets in college in 1937, New York…
***A radical Left-winger falls in love with a more conservative WASP on the verge of WW2 and post-war***
A disparate couple meets in college in 1937, New York, and then reignite after the war. Katie (Barbra Streisand) is an uber-Liberal while Hubbell (Robert Redford) is more levelheaded about politics. He becomes a writer in Hollywood during the blacklist investigations of the late 40s wherein Katie’s activism threatens his social life and career. The story closes in 1957.
“The Way We Were” (1973) is a classic drama/romance, much acclaimed in its day. The vibe is similar to “Love Story” (1970) but this has superior characters and a more interesting setting.
It’s interesting to see how loony Liberals existed way back then in the 30s-40s. The movie works because it wisely makes Katie three-dimensional. Sure, she’s a typical INtolerant, obnoxious Leftie, but she also has a human side, a warm and humble side. Meanwhile Redford is at the top of his game here. Streisand incidentally developed a crush on Redford during shooting, but didn’t share her feelings. He feigned ignorance and used Barbra’s infatuation for the benefit of the movie.
There has been some confusion about the last act. Pay attention to what Hubbell says. What happens has nothing to do with Carol Ann and everything to do with the obvious.
The film runs 1 hour, 58 minutes, and was shot in Union College in Schenectady, New York; Ballston Spa in upstate New York; New York City; Malibu; and nearby Union Station in Los Angeles. The peripheral cast includes Bradford Dillman, Lois Chiles and James Woods.
GRADE: B
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★ 7 / 10
Despite some faults, it's still pretty good
FilmOtaku
The theme of a golden boy falling for a girl from "another world", be it social class, the "wrong side of the tracks" or fill in your cliché here, is one that…
The theme of a golden boy falling for a girl from "another world", be it social class, the "wrong side of the tracks" or fill in your cliché here, is one that goes back to the silent film era. One of the most famous examples is Sydney Pollack's 1973 film "The Way We Were". Set from the 1930's through the 1950's, Barbra Streisand plays Katie, an outspoken member of the Communist party and campus activist who does not have anything handed to her; she works two and sometimes three jobs in order to pay for her living and college tuition. Hubble (Redford) is your typical aforementioned golden boy, a "big man on campus" who indulges in sports, debutantes and all-around good times. The two know each other from the diner Katie works at (he being the patron) and at one point before graduation, briefly bond over their shared passion for writing. Cut to a few years in the future and Katie encounters Hubble at a bar. Hubble is in the armed forces and Katie is characteristically working a couple of jobs while volunteering for various social causes. After a night of drunken sex (Hubble being the drunken one) they embark on an unlikely relationship that spans over a decade and includes a move to California (when Hubble becomes a screenwriter in Hollywood) and the conception of one child. They are happy, but realize that regardless of their desire, they can't completely cross social lines and certainly can't change one another, particularly Katie's ever-ferocious dedication to social causes; a fight that becomes exponentially heated during McCarthy's Red Scare. The two have to decide whether they can sustain enough raw emotion for one another to persevere over everything else that is stacked up against them.
There are several things about "The Way We Were" that require suspension of disbelief (the fact that despite never having had much contact with one another that after one night of drunken lust and an awkward "morning after" being enough to kick start a relationship the magnitude of theirs is the first thing that comes to mind) but the bottom line is that it really is a well-written, well-directed and well-acted film. The two principal characters are full and complex, regardless of whether we are talking about the socially conscience Katie or the socially acceptable Hubble. I suspect they somewhat were written with the intent of familiarity for the purpose of effectiveness, and if this is true, it worked on me. The era in which these two characters were set was a very interesting time in American history, and the characters' actions during these times created some compelling cinema, particularly when it touched on the Red Scare.
But who am I fooling? The main reason people watch this movie, whether for the first time or for the fiftieth is for the doomed romance, and Streisand and Redford deliver in spades. "The Way We Were" was written for Streisand, (something that cause Redford to turn down the part at first, because he knew the film was going to be hers) and her portrayal of Katie is excellent. There are so many perceptions of Streisand nowadays (some of them correct, to be sure) that it's easy to forget that she really does have some serious acting chops, and she exhibits them to full effect here. I also happened to learn that the soft filtered lens thing with her didn't just start with her later movies, for whatever reason she was filmed with that lens more often than not here, but that didn't do anything more than slightly distract me because I couldn't help but chuckle. Redford gives a typical solid performance as well, though his initial doubts about taking the role turned out to be valid; he is not the dynamic figure in the film. However, his character is a strong one and Redford does a good job.
I don't know if Pollack knew he was creating a screen classic when he directed "The Way We Were" but he did make a very good film. If you can make it past some major melodrama and some plot holes (what was the deal with their child?) watch this film, and just sit back and appreciate it for what it is a chick flick that guys don't have to feel ashamed watching. 7/10 --Shelly
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"cinefilomedio October 15, 2020 at 08:55 pm white americans more worried about what they think is communism in a movie than the president being genocidal. Go read a book." Genocidal?! Abortion kills more people than Donald ever will. YOU communists just can't accept being in the minority (he won the popular vote).