The Watermelon Woman

1996

Action / Comedy / Drama / Romance

7
Rotten Tomatoes Critics - Certified Fresh 92% · 65 reviews
Rotten Tomatoes Audience - Spilled 56% · 500 ratings
IMDb Rating 7.1/10 10 5247 5.2K

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Plot summary

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

Director

Top cast

Emmy Collins as Video Browser
David Rakoff as Librarian
Christopher Mann as Christopher Mann
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
781.22 MB
960*720
English 2.0
Unrated
us  
23.976 fps
1 hr 25 min
Seeds 5
1.57 GB
1440*1080
English 5.1
Unrated
us  
23.976 fps
1 hr 25 min
Seeds 18
778.24 MB
968*720
English 2.0
Unrated
us  
23.976 fps
1 hr 24 min
Seeds ...
1.41 GB
1440*1072
English 2.0
Unrated
us  
23.976 fps
1 hr 24 min
Seeds 6

Movie Reviews

Reviewed by CinemaSerf 6 / 10

In some ways this makes for quite an

In some ways this makes for quite an intriguing docu-drama on the historic roles of African American woman in cinema as the silents gave way to the talkies. Back then, many a cast member, regardless of race or sex, was given a simple title or bit part to avoid them being paid more than absolutely necessary, and one such lady that featured now and again was referred to as the “Watermelon Woman”. Almost a century later and “Cheryl” (Cheryl Dunye) works in a video store with best pal “Tamara” (Valerie Walker) and she determines to find out more about the actress whose name she has seen on the credits. Her investigations inspire some quite comical mischief at work - where they use the customer accounts to order some distinctly dodgy titles; but also to some details about “Fae” that might just satisfy her curiosity. Meantime, one of the customers whose name is being illicitly used has to bail “Cheryl” out of an embarrassing situation with her boss, and soon “Diana” (Guinevere Turner) and she are friends, more than friends, and “Tamara” is suitably narked. What we have here is a film within a film, and on some levels that works. There is a “Cheryl” making a film about finding “Fae” and illuminating Hollywood working attitudes and practices at the time; the other is a comedy drama about the dynamics amidst this triptych of strong-minded women for whom this project serves to provide different conduits to the development of their respective relationships. It’s probably at it’s funniest when it’s just Dunye and Walker, though there are also a few scenes with their manager that raise a smile/grimace, but the rest of the drama is all just a bit too earnest about proving it’s inter-racial and homosexual credentials. These efforts seem to limit the naturalness of these characters and detract from the more interesting history and it really quite quickly becomes, and remains, a bit of a mess of a film designed to contrive and prove a theory that outwardly polar opposites can attract. It’s worth a watch, but it’s no great shakes.
Reviewed by

Reviewed by lovejam 7 / 10

Not On Any Syrup Bottle

There are hundreds upon thousands of lesbian movies, and the majority are labelled "Adult". Name one lesbian movie about black women that isn't pornographic? Watching this one was something I could relate to. Finally, a movie touching on black history, interracial attraction, stereotypes, and the fictional day-in-the-life of an aspiring film-maker. More original than most, speaking as a black woman. Excuse the bad technology, and you've got a story about a woman researching her black history and getting laid in the process! Maybe she couldn't get the rights to do "The Aunt Jemima Story". You know, that black maid who's face stared back at you from the pancake box, having gone through a few make-overs through the years? There's even a scene where Cheryl holds up movie stills of black actresses playing the usual slave/maid who become unknowns in the process. Well, this is one important movie for me, and I hope more people appreciate this as they listen to Cheryl's closing monologue. Now this movie deserves a remake!

6/10

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