The Secret Ways

1961

Action / Adventure / History / Mystery / Thriller

3
Rotten Tomatoes Audience - Upright 93%
IMDb Rating 6.2/10 10 591 591

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Plot summary

Vienna, 1956. After Soviet tanks crush the Hungarian uprising, soldier-of-fortune Michael Reynolds is hired to help a threatened Hungarian scientist escape from Budapest.

Top cast

John Horsley as Jon Brainbridge
Walter Rilla as Jancsi
Ady Berber as Sandor
Oskar Wegrostek as Bela Korver - the fat man
720p.BLU 1080p.BLU
1.01 GB
1280*682
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 52 min
Seeds ...
1.87 GB
1920*1024
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 52 min
Seeds ...

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Richard Widmark was quite good in these wartime

Richard Widmark was quite good in these wartime gun-for-hire stories. In this one, he features well as the slightly smug American "Reynolds" who is drafted in by the Hungarian resistance to try and smuggle a renowned scientist from Soviet-occupied territory to the safety of Vienna. Upon arrival - posing as a journalist - his best laid plans hit one pretty unexpected snag - the old fella "Jansci" (Walter Rilla) doesn't actually want to go. Luckily, the man's daughter "Julia" (Sonja Zieman) is on board but they are still going to have one heck of a job staying one step ahead of the suspicious authorities whilst they persuade the old chap to flee with them. There is quite a decent plot here, a certain degree of chemistry between Widmark and the lively Zieman but some of the escapades are truly far-fetched (especially towards the conclusion with a brave but implausible prison break featuring the "Count" (Charles Regnier)). That said, most of this is a quickly paced and lively action thriller with sparing use of dialogue and a fair degree of menace from the pen of established writer Alistair MacLean. Apparently John Williams was behind some of the effective score, and the photography is suitably dark and grainy adding quite a bit of atmosphere to this decent cold war thriller.
Reviewed by museumofdave 7 / 10

A Triumph of Style Over Substance

There of so many echoes of The Third Man in this film, but the essential plot lacks narrative cohesion--the dazzling atmospherics of decadent Europe after WWII, like Reed's film, are rich in dark shadows, fogs and dripping walls, dizzying stairwells and dismal foggy streets--but the plot, unfortunately, is a little foggy to begin with, and although the viewer slowly comes some comprehension concerning Widmark's task to finesse the escape of an anti-communist leader from behind the iron curtain, there are numerous lures that sidetrack him, most of them of the female. Widmark's performance is characteristically compelling, and there are some new faces on the screen deservedly demanding attention. Another positive aspect of this studio film is that most of the faces are new ones to American viewers, and Widmark's relationships to each are complex although, like the plot, sometimes confusing.If the viewer doesn't expect constant clarity and a direct Indiana Jones narrative, this film is fascinating for it's location shooting, evoking a more direct sense of hopelessness than even The Spy Who Came in From The Cold, and it's all highlighted by a persuasive music score (one of the first powerful backups by John Williams), as well as the adventurous attempts to escape the constant threat of permanent imprisonment--the sympathetic hero combines with a growing sense of suspense can add up to an entertaining two hours: I found the atmospherics even more fascinating that the labyrinthine plot.
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