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★ 8 / 10
Getting' Down And Dirty With The Dirty Mac
ferbs54
Most people who watch "The Rolling Stones Rock and Roll Circus," a TV program that the Stones put together for the BBC in December '68--but that was never…
Most people who watch "The Rolling Stones Rock and Roll Circus," a TV program that the Stones put together for the BBC in December '68--but that was never aired--will likely be struck by the same thought: How could this remarkable show fail to have been shown back when? The program turns out to be a godsend for fans of '60s rock, featuring as it does not only "The World's Greatest Rock 'n' Roll Band," but also Jethro Tull, The Who, Marianne Faithful, Taj Mahal and a band called Dirty Mac, interspersed, under the big top, with some amusing circus acts, and observed by a small but enthusiastic audience in whimsical regalia. All the performers are in top form here, but the highlights for me were Jethro Tull, here with future Black Sabbath guitarist Tony Iommi filling in for the recently departed Mick Abrahams, and the two songs performed by the Dirty Mac. This was a one-shot supergroup consisting of Mitch Mitchell on drums and Eric Clapton, Keith Richards and John Lennon on guitars! The version of the Fab Four's "Yer Blues" that they dish out here is just awesome, and when Yoko Ono hits the stage to caterwaul on the instrumental blues romp "Whole Lotta Yoko"...well, just hold on to your eardrums! This program, fittingly, belongs to the Stones, however, and the six tunes that the boys give us are just terrific, especially that "Sympathy for the Devil," during which Mick Jagger gets to prove again that he really is rock's best frontman. Whotta high-energy display; no wonder John Lennon can be seen boogying his pies off in the audience! Bottom line: If you're a fan of any of the artists mentioned above, this DVD is for you!
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★ 7 / 10
Stones fans will dig it.
MovieAddict2016
Filmed live in 1968 as an intended television special but kept from the public eye due to the Rolling Stones' own dissatisfaction with their performance over a…
Filmed live in 1968 as an intended television special but kept from the public eye due to the Rolling Stones' own dissatisfaction with their performance over a span of two nights, "Rock N' Roll Circus" showcases the Stones at the height of their game. Although I admit they have performed better in terms of musical companionship and melody, there is no denying the amount of energy they exude here.The standout for me is the reggae-infused "Sympathy for the Devil" which sounds like the drunken plea of society's virus. The original came across as a taunt, and this rendition of the song is helpless and a desperate outcry - in a good way, of course.Mick Jagger's vocals have been better and his voice is a bit off - I guess the guys were totally wasted and stoned out of their minds around this time. But watching them on stage, it's hard to deny they were one of the great rock n' roll bands. They're really not given enough credit for their fusion of blues and mainstream rock - at the time of their emergence, a lot of critics compared them to The Beatles - a comparison both understandable and equally unfair. They did write a few Britpop songs early on, but they always had a bluesy edge that the Beatles - despite their superiority in musical influence and range - never had.If you're into the Stones, this is a must-see. If you're *really* into the Stones, it's probably a must-own. And if you aren't into the Stones at all, I'd recommend starting off with their double-album Forty Licks (a Greatest Hits compilation).
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★ 8 / 10
underrated and flawed, hard-rocking & blues-filled highlights, and sideshow acts
Quinoa1984
I can't totally understand why the Rolling Stones were embarrassed by their performance here in their TV special Rock & Roll Circus. Sure, everything else…
I can't totally understand why the Rolling Stones were embarrassed by their performance here in their TV special Rock & Roll Circus. Sure, everything else you've heard about the Who outshining them is not far from the truth (it's definitely one of the Who's finest hours with Keith Moon).They're no slackers here either (sans Brian Jones, who was on the decline and except for No Exceptions does nothing significant here with the band), and hearing them perform Jumpin Jack Flash and Parachutte Woman- the latter a fantastic blues tune from Beggars Banquet- is a fine delight from late 60s rock & roll. They also make sure to end the special on two high notes: Sympathy for the Devil makes for a powerful punch of music that rocks the socks off everyone in attendance and without Jagger's preening to the camera (only to the camera is it annoying, everything else is a given with him), it's one of the very best performances of that song, and there's a fine little ending with Salt of the Earth. It's nothing to be ashamed of on their end.Then again, the acts that surround them both outshine and lack the punch of their performances, so maybe at the time of their heights (and the sentimental factor of Brian Jones's departure and death from the band soon after) contributed to the decision to keep it from the public. As mentioned, the Who are in the great 'maximum R&B' tradition with A Quick One (While He's Away), which has as thunderous momentum matched with a wicked sense of humor. Other notable acts are Jethro Tull (featuring a slightly dazed Tony Iommi on guitar), Taj Mahal (a musician I never heard before but was blown away by), and a one-night-only type of grouping with Lennon, Clapton, Richards and Mitch Mitchell doing Yer Blues, which actually comes very close to topping the Who's performance- it's that awesome a rendition of the song.Marianne Faithful is not my cup of tea, but is a talented singer here. My kryptonite though is the 2nd song by the Lennon group features one plus (violin) and one heavy minus (Yoko Ono's singing, which is like nails on a chalkboard). There's also the creepy sense that the audience looks like it's awaiting the 2nd coming, so to speak.But it's always a lot of fun, the circus acts look cool in a kitsch kind of way, and there's a truly lively spirit going through all the performances. It's far from perfect, but it's a lot better than I expected, and will have a good place in my collection.
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It was originally released only in 1996.