★ 4 / 10
This is just a bad rip-off of both
Mannivu
This is just a bad rip-off of both *Godzilla* and *Jurassic Park*. The ending was useless too: it should have ended before the "5 Years Later" epilogue.
This is just a bad rip-off of both *Godzilla* and *Jurassic Park*. The ending was useless too: it should have ended before the "5 Years Later" epilogue.
★ 7 / 10
When a monster emerges from a lake and
Logan D
When a monster emerges from a lake and terrorizes a village, the citizenry need to recall, "there's always a bigger fish." The film is not focused on its goal…
When a monster emerges from a lake and terrorizes a village, the citizenry need to recall, "there's always a bigger fish."
The film is not focused on its goal, sadly. However, the creature effects are excellent. They don't make you wait long for the reveal. It's an enjoyable monster-of-the-week story. I liked it. Just wish I could've loved it.
Read full review
★ 1 / 10
The Lake (2022), directed by Lee Thongkham with
TheMovieSearch R
The Lake (2022), directed by Lee Thongkham with co-direction by Aqing Xu, is an ambitious Thai-Chinese monster film that had plenty of potential but ultimately…
The Lake (2022), directed by Lee Thongkham with co-direction by Aqing Xu, is an ambitious Thai-Chinese monster film that had plenty of potential but ultimately loses its footing. The story begins when a young girl finds a strange egg by the lake and brings it back to her village, unknowingly triggering a terrifying chain of events. The egg belongs to a massive prehistoric creature, and once disturbed, the monster rises from the depths, cutting off communication and trapping the local townspeople in chaos. The setting—rural Bueng Kan, Thailand—creates an eerie and atmospheric backdrop that enhances the feeling of isolation and dread.
Visually, The Lake does have moments that stand out. The monster’s design blends practical effects, puppetry, and CGI, creating a unique hybrid that’s both nostalgic and ambitious. You can tell there was a genuine passion for creature features here, and in certain shots, the scale and texture of the monster look surprisingly impressive for a film of its size. The gloomy tone, rainy weather, and lush, overgrown landscapes build suspense in the early moments, and some of the attack scenes do manage to deliver a few chills.
However, the film falters in its storytelling. The screenplay feels scattered and unfocused, jumping between characters who are never fully developed. Motivations are unclear, and emotional beats often fall flat because the dialogue feels forced or unnatural. Subplots—like the team of researchers investigating the creature—are introduced, then vanish, only to reappear later without explanation. It’s as if the filmmakers had multiple storylines but no clear direction on how to tie them together.
Pacing is another major issue. The film drags during its middle act, where tension should be rising. Instead, it’s bogged down by repetitive dialogue and filler scenes that add little to the story. The editing choices don’t help either, cutting between chaotic handheld camera shots and long, static takes that kill momentum. As a result, the suspense never truly builds, and the sense of danger that should define a monster movie like this is often lost.
That said, there are a few redeeming qualities. The creature itself is a fascinating concept, and it’s clear the director cared deeply about crafting a unique monster that could stand out among modern creature features. Some sequences genuinely capture the thrill of the genre, especially for fans of classic kaiju or giant monster films. It’s also worth noting that the use of practical effects adds a tactile realism that’s often missing from CGI-heavy productions today.
In the end, The Lake had the potential to be something truly memorable—a dark, thrilling, and grounded creature feature set against the haunting beauty of Thailand’s rural landscapes. Unfortunately, what could have been a breakout monster movie ends up feeling more like a missed opportunity. The screenplay lacks focus, the pacing is uneven, and the direction feels unsure of itself.
Still, if you’re a die-hard fan of monster cinema or enjoy watching ambitious, lower-budget horror films that take big swings, The Lake might be worth a one-time watch. It’s not good by any means, but there’s something oddly compelling about its flaws. You can see the passion behind it—it just never quite makes the splash it was aiming for.
Read full review
40%
AUDIENCE
3.8/10
1.6K
•••
I thought this was better than its rating. Sure it drags in places, but overall a good cheesy predictable scifi. Like a 5