The Believers

1987

Action / Crime / Drama / Horror / Mystery / Thriller

19
Rotten Tomatoes Critics - Rotten 35% · 20 reviews
Rotten Tomatoes Audience - Spilled 45% · 2.5K ratings
IMDb Rating 6.1/10 10 9697 9.7K

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Plot summary

Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.

Top cast

Martin Sheen as Cal Jamison
Ray Paisley as Customs Agent
Janet-Laine Green as Lisa Jamison
Christopher Brown as Carpenter
720p.BLU 1080p.BLU
1.03 GB
1280*694
English 2.0
R
23.976 fps
1 hr 54 min
Seeds 1
1.84 GB
1920*1080
English 2.0
R
23.976 fps
1 hr 54 min
Seeds 12

Movie Reviews

Reviewed by Wuchak 6 / 10

***Unpleasant big city crime drama with Martin Sheen

***Unpleasant big city crime drama with Martin Sheen that morphs into sorcery-oriented horror*** A widowed therapist (Martin Sheen) moves back to New York City to find himself assisting the NYPD in a series of slayings linked to a Caribbean Voodoo-like cult. Things get worse when he discovers they want his son for a human sacrifice. Helen Shaver plays his landlord and possible romantic interest. “The Believers” (1987) is an adult-oriented crime drama that gets increasingly horrific. The plot and tone are akin to “Wolfen” (1981), albeit with the brujería cult replacing the super-wolves. It’s leagues superior to the similar “The Serpent and the Rainbow” (1988). The diabolic angle makes for some ugliness (e.g. death due to electric shock, suicides, grisly sacrifices, snakes and creepy arachnids), but there are rays of light as well. Sheen is outstanding as the protagonist while Shaver offers her wares to the table. The shocking spider sequence was later ripped off by "Urban Legends: Bloody Mary" (2005). The movie runs 1 hour, 44 minutes, and was shot in New York City & Toronto. GRADE: B-
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Reviewed by Leofwine_draca 6 / 10

Middling

THE BELIEVERS is a middling '80s horror flick from director John Schlesinger, who really should have crafted something better than this (his excellent '70s thriller MARATHON MAN is a particular favourite of mine). Martin Sheen is fine as a grieving husband and father who unwittingly gets drawn up in a voodoo plot in New York of all places, and finds himself battling to save his son from becoming a sacrificial victim. There was a mini-wave of voodoo flicks in the 1980s (ANGEL HEART and THE SERPENT AND THE RAINBOW being other notable examples) but this film seems to go through the motions without ever connecting. The actors are well chosen and Helen Shaver is certainly put to the test here, but the ending comes across as lacklustre and although the direction is nice the writing is strictly average.

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