★ 8 / 10
**Tom Hanks gave life and affection to this
Filipe Manuel Neto
**Tom Hanks gave life and affection to this project, which easily reminds us of the golden years of rock-and-roll.** The film is a very nice story that…
**Tom Hanks gave life and affection to this project, which easily reminds us of the golden years of rock-and-roll.**
The film is a very nice story that revolves around the world of ephemeral "rock and roll" stars. In 1964, a group of youngsters from Pennsylvania suddenly emerge from obscurity when their garage band, the Wonders, achieve fame and success on the back of a single song, "That Thing You Do". Believing in a potential that might not exist, the scouts of the music world waste no time and the boys get a contract with a major label, which is waiting expectantly for equally good songs. However, sudden fame will test the strength of the group, the maturity and responsibility of that guys and their ability to resist the temptations that money and notoriety always make possible.
Tom Hanks is more than a protagonist, he is the engine that pulls the film and makes it possible. He had achieved fame at the expense of good comedies like “Big” or “Money Pit”, but he had his consecration in films like “Sleepless in Seattle”, “Philadelphia”, “Forrest Gump” and “Apollo 13”. In addition, he already had two Oscars on his shelf, so he had the means to leverage a project he liked, and there is no doubt that he liked this one, and it was the lever that made it go forward. And contrary to what often happens in these situations, he didn't want the lead role: it's in a reasonably more modest role that we see him, a role where he doesn't fail to stand out.
The main role is assured by the band's boys, played by Tom Everett Scott, Johnatton Schaech, Steve Zahn, Ethan Embry and Giovanni Ribisi. All quite young, still at the beginning of their respective careers, all capable of relatively slick and honest work, especially Scott, who is given a little more visibility. We also have to highlight the pleasant participation of Liv Tyler and Charlize Theron.
The film is quite light, lively and cheerful, even in the most tense moments, and in which it takes paths that could make it denser, more dramatic and profound, which it always avoids. That was a conscious choice, I'm sure, and that's debatable. Where the film stands out is in its attention to historical details, in the care with which it seeks to recreate the era and environments through the choice of suitable props, good costumes and make-up, as well as a set of excellent sets. And being such a musical film, the soundtrack is unavoidable and vibrant, with songs that stay in the ear and where the main melody, created especially for the film emulating the aesthetics and taste of the time, deserves a very special highlight.
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★ 8 / 10
Unless you were there.
moosenmoo35244
THAT THING YOU DOUnless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little…
THAT THING YOU DOUnless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little fingers into a "C" chord on a Harmony acoustic guitar that was semi in tune
well, you will not understand the depth that this movie has. This movie and "I Wanna Hold Your Hand" capture something that was so real, so tangible but has slipped so completely away from any succeeding generations grasp that to try and film it's time and moment seems impossible. And yet, Tom Hanks did it. I don't know how he managed to grasp the era and the people so well as I thought he was a little too young for that time period. He nails this every boy's fantasy with wit, wisdom and just a touch of sadness. The cast turns in, a spot on encapsulation of people that will be very familiar to any struggling band member from the period. Tom Hanks himself turns in a solid performance as a man apart of, yet removed from the music itself. Men of his age at that time all actually read the Playboy philosophy espoused by Hugh Hefner and secretly wanted to be as cool as one of the Rat Pack. He did a super job of directing this effort and keeping the frenetic pace. All of this brings us to the music, which for the most part is expertly crafted (and I was surprised to see Hanks wrote some of the music also) to remind us of the era. I enjoyed all the songs for what they are. It is "homage" which is not exactly copying but using the elements to pay tribute to the influences that shaped the music of that era. People who grew up in the 80's or 90's have no conception of what the music was like then. They can hear it, and yes even appreciate it, but they don't understand that it was rarely on TV, it was not the background music for every commercial you heard or saw and radio stations that played it were decidedly looked down upon. It was not woven into the fabric of life like it is now. It was new, it was dangerous and you had to search it out. You had to want it. That's why I so enjoyed this movie. Even with some of it's false steps and it's occasional heavy handedness that would over power the subtleties of real life I found this movie a guilty pleasure that is completely satisfying and an absolute joy to watch.
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93%
TOMATOMETER
· 61 reviews
78%
AUDIENCE
· 100K ratings
7.0/10
79.4K
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gushing over guy patterson! best lines in the movie "you're my biggest fan!" and "oh, I'm not here with these fellas. i've got a pig in competition over at the livestock pavilion, and I am gonna win that blue ribbon!" 10/10