Skepp till India land

1947 [SWEDISH]

Action / Drama

19
Rotten Tomatoes Audience - Spilled 59% · 250 ratings
IMDb Rating 6.4/10 10 2582 2.6K

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Plot summary

Returning home after seven years at sea, a sailor relives his youth aboard a salvage ship dominated by his abusive father, recalling love, betrayal, and the desire to escape. Told in flashback, the film explores family conflict, longing, and moral reckoning in an early milestone of Ingmar Bergman’s career.

Director

Top cast

Anna Lindahl as Alice Blom
Peter Lindgren as Foreign sailor
Ingmar Bergman as Man Wearing a Beret at the Funfair
Ami Aaröe as Young girl at the beach
720p.BLU 1080p.BLU
783.65 MB
988*720
Swedish 2.0
Not Rated
23.976 fps
1 hr 38 min
Seeds ...
1.5 GB
1472*1072
Swedish 2.0
Not Rated
23.976 fps
1 hr 38 min
Seeds 6

Movie Reviews

Reviewed by R T 9 / 10

One of Bergman's early films that lays the

One of Bergman's early films that lays the groundwork for his themes to come. Some excellent camera work and a solid script. Malmsten is solid, as always. An essential entry in understanding Bergman's early canon. The adaptation of Soederhjelm's play and conversion to film is extremely well done. For an even better early Bergman the pushes further, check out "Fängelse" (Prison, 1949.)
Reviewed by R T 8 / 10

This may be one of Bergman's more overlooked

This may be one of Bergman's more overlooked films from his filmography. Although, I have only seen a total of 6 of his films in my life of the 67 titles he's directed on his own. For me this was his first step into becoming one of the great directors of all time in 1947, and it pleases me to say, I actually look forward to more of his films now and am thankful this wasn't the disaster "It Rains on Our Love" was.
Reviewed by R T 7 / 10

Ingmar Bergman's third feature is a moody psychodrama

Ingmar Bergman's third feature is a moody psychodrama that shows us people trapped in unhappy relationships, looking for a way out, inflicting harm or having harm inflicted on them. We begin with Johannes Blom (Birger Malmsten) who has just returned to his home port after seven years away at sea. He is anxious to see the girl he left behind - but when he finds her, she is bitter and cold. He wanders off and falls asleep on the beach - at which point begins a long flashback (comprising almost all of the movie) that tells his story and that of those around him. Indeed, the dominant figure in the flashback is Johannes' father, Captain Alexander Blom (Holger Löwenadler) who is sadistic to his son (berating him because of a slight hunched back) and neglectful of his wife and a bad captain to his crew. He goes on a two or three day bender and brings back a girl with whom he plans to sail away when the current job is done, leaving his wife and son. The girl, Sally (Gertrud Fridh), is a music hall singer/dancer with a possibly sordid past - but upon seeing how the father treats his family, she feels sympathy and tenderness for Johannes. The movie is frank about their sexual relationship (but apparently this was edited from US prints). As expected, the father-son conflict comes to a head, resulting in Johannes leaving for his seven-year voyage (the early scenes assure us that all the characters survive the flashback but you might not fully expect that, otherwise). When the flashback ends, we see how Sally and Johannes' relationship proceeds. Although not yet at the height of his powers - and owing a strong debt to the poetic realism of Marcel Carne (for example, Le Jour Se Leve, 1939) - Bergman creates emotional tension superbly here; we are allowed to consider how all of the major characters view their conflicts and the possible psychological reasons behind their behaviour (softening our negative judgments of some or at least evoking pity). But no one yet seems to have completely lost hope - everyone is grasping for peace and serenity in their futures (although some may not find it). This might not be the blueprint for future Bergman characters.
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