Kris

1946 [SWEDISH]

Action / Drama / Romance

14
Rotten Tomatoes Critics - Rotten 33% · 6 reviews
Rotten Tomatoes Audience - Spilled 39% · 500 ratings
IMDb Rating 6.4/10 10 3963 4K

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Plot summary

A small-town piano teacher is shocked by the arrival of her foster daughter's biological mother, whose young lover soon follows and causes further disruption.

Director

Top cast

Dagmar Olsson as Singer
Anna-Lisa Baude as Customer at Beauty Parlor
Gustaf Molander as Narrator
Ernst Eklund as Uncle Edvard
720p.BLU 1080p.BLU
762.61 MB
988*720
Swedish 2.0
Not Rated
23.976 fps
1 hr 33 min
Seeds 1
1.46 GB
1472*1072
Swedish 2.0
Not Rated
23.976 fps
1 hr 33 min
Seeds 5

Movie Reviews

Reviewed by CinemaSerf 6 / 10

His debut, I know, but I actually found

His debut, I know, but I actually found this to one of the more accessible Ingmar Bergman films - maybe that's why it isn't actually that great. It follows the young "Nelly" (Inga Landgré) living with her kindly foster mother "Mutti/Ingeborg" (Dagny Lind) who teaches piano in their small town. This peaceful existence is suddenly turned on it's head, though, when her real mother "Jenny" (Marianne Löfgren) shows up intent on reconciling with her long estranged offspring. She doesn't show up alone - her rather lively and mischievous friend "Jack" (Stig Olin) comes along too, and at a charity ball he and "Nelly" cause a bit of a stir that causes consternation for her friend "Ulf" (Allan Bohlin), gets someone a wetting and causes tongues to wag to such an extent that poor old "Nelly" has to relocate to the city. Things there aren't a bed of roses there either, and pretty soon the young woman must make some difficult choices. This is a solid ensemble effort with decent efforts from all concerned as the rather unlikeable group of characters have to deal with their self-induced and conflicted predicaments. There is a bit of chemistry between Olin and Landgré that at times raises a smile and/or makes you cringe, but for the most part the narrative is a bit wooly - too many people cluttering up a story that somehow lacks focus. Still, I did understand it which is more than I can say for many of this director's later, more impenetrable, works.
Reviewed by

Reviewed by Xstal 7 / 10

The Grass is Always Greener...

Nelly is far too contained, metaphorically tethered and chained, until Jack makes connection, Jenny sets defection, breaking habits for which she's been trained (or brainwashed as most of us are during our formative years).

Jack's clearly a bit of a lad, a deceiver, a liar, a cad, sneaky opportunist, loves to arrange a tryst, perpetually out on the gad (a stereotypical chancer who's been around for as long as woman have accommodated such characters).

Jenny likes to be among others, solitude is a feeling she smothers, but Nelly's deserter, has come to reclaim her, from Ingeborg who loves and still mothers (she wants her legacy to continue now she has the means, and Jack's attraction is wearing thin).

Ingeborg's overcome with emotion, a lifetime of love and devotion, now she's all alone, since Nelly's left home, a boat cast adrift in the ocean (alas, all children fledge sooner or later) .

Ulf has been patient and slow, waiting for Nelly to grow, now he's been rejected, not what he expected, full of seed he's unable to sow (in modern parlance, a groomer, how times change).

If you were in Nelly's small shoes, what would you do, who would you choose? The one thing I'd say, appreciate today, in the past, as a woman, you lose (although far too many still lose out today but there are better options or choices available).

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