Siraa Fil-Wadi

1954 [ARABIC]

Crime / Drama / Romance

15
IMDb Rating 7.2/10 10 1838 1.8K

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Plot summary

A wealthy landlord floods and destroys a village on purpose to prevent the people living there from making a profit off their crops. What he doesn't know is that his own daughter, Amal, is in love with Ahmed, a young man from the village.

720p.WEB 1080p.WEB
1.04 GB
960*720
Arabic 2.0
TV-14
Subtitles us  
24 fps
1 hr 56 min
Seeds 1
1.93 GB
1440*1080
Arabic 2.0
TV-14
Subtitles us  
24 fps
1 hr 56 min
Seeds 2

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Omar Sharif ("Ahmed") returns to his Egyptian village

Omar Sharif ("Ahmed") returns to his Egyptian village to try and help the local agrarian population improve their lot. This does not suit the local Pasha (Zaki Rustum) and so he sets about sabotaging their ambitions to grow and harvest their own crop of sugar cane. What follows is a hybrid love story/crime thriller as the Pasha's daughter - the gorgeous Faten Hamamah returns home after 8 years and begins to rekindle the feelings she had as a child for the hero; whilst becoming embroiled in an ever deepening crisis that only increases as a local Sheikh, who has assumed who was responsible for the destruction of the crop, is slain. It is easy to see why Sharif was snapped up by Hollywood - he is a very good looking man who oozes charisma, and there is a certain natural quality in the scenes he plays - especially with Hamamah. The ending let's it down a bit - I felt that the story sort of ran out of steam, but great onsite photography and a pacily directed (by Youssef Chahine) small cast make this well worth watching.
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Reviewed by ricardojorgeramalho 7 / 10

Duel in the Sun

A social melodrama by Youssef Chahine that has the particularity of featuring a very young Omar Sharif (only 22 years old).

Structurally it is a typical melodrama, rich girl who loves poor boy, but crossed with a plot that could well be from a western. There are the rich and bad who do everything to deceive the poor and one of them, like an avenging angel of family and class, manages to destroy the conspiracy. The final scene of the Karnak temple duel almost feels like the duel at the OK Corral.

However, there is that social background that always characterizes Chahine's films and that, once again, is present in this scorching Luxor sun. Realism would arrive a little later in Egyptian cinema. Here we are still, at best, in a proto-realism, waiting for the ideal moment to blossom.

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