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Viaggio in Italia

1954 [ITALIAN]

Action / Drama / Romance

Viaggio in Italia

1954 [ITALIAN]

Action / Drama / Romance

Available in: 720p.BluRay 1080p.BluRay

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96% TOMATOMETER · 25 reviews

74% AUDIENCE · 1K ratings

7.2/10 · 14.2K

720p.BluRay 1080p.BluRay

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prostitute husband wife relationship based on novel or book italy naples, italy travel

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Plot summary

Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.

Director

Roberto Rossellini

Top cast

Lyla Rocco as La signora Sinibaldi

Ingrid Bergman as Katherine Joyce

Anna Proclemer as La prostituta

Paul Muller as Paul Dupont

Tech specs

720p.BLU 1080p.BLU

696.60 MB

1280*720

Italian 2.0

Not Rated

Subtitles

23.976 fps

1 hr 37 min

Seeds 4

1.23 GB

1920*1080

Italian 2.0

Not Rated

Subtitles

23.976 fps

1 hr 37 min

Seeds 10

Comments 2

lm13720 2273 days ago

Audio is in english. Damned !

Isaacaaaaaaaa 2763 days ago

...

Showing 2 of 2 threads

IMDb reviews

From IMDb

6 / 10

On the face of it, this ought to

CinemaSerf

On the face of it, this ought to have been a much better film. Ingrid Bergman, George Sanders and Naples - all under the expert supervision of Roberto…

7 / 10

European filmmakers just think differently

blanche-2

I've been reading with some amusement the comments on this board. "Journey to Italy" from 1954 stars Ingrid Bergman and George Sanders and was directed by…

I've been reading with some amusement the comments on this board. "Journey to Italy" from 1954 stars Ingrid Bergman and George Sanders and was directed by Bergman's husband, Roberto Rossellini. Catherine and Alex travel to Naples so they can negotiate the sale of a villa they inherited. The marriage has broken down; the two don't seem to communicate much, and there is tension. Eventually they both state their unhappiness and decide to divorce and to spend time apart during the trip. Catherine goes on a sightseeing tour of Naples while Alex hangs out in Capri flirting with women. The fact is that neither one of them want to divorce, but they simply don't know what to do to make things better. European filmmakers often don't deal in dialogue as much as they do in images and in feelings. That means watching a film and not waiting for something to happen in an action way but rather in an emotional way, or the way in which a film makes a statement. A great example of this is Antonioni's L'Eclisse. If you watch a foreign film with the expectation of it moving quickly or that something big is going to happen, you're often bored or disappointed. On the other hand, sometimes a movie is simply boring and disappointing or pretentious. I don't think this is one of them. Catherine and Alex come to grips with their marriage against the beauty of Naples, and what Catherine and Alex see and experience allows them to make a decision. There is certainly still love there - Alex is jealous when he sees men paying attention to Catherine. Catherine has inner dialogue when she's driving that indicates that she has forgotten the qualities that caused her to marry Alex in the first place. Instead, she now focuses on his sarcasm and his critical nature. When one falls out of love, one becomes apathetic. Yet he still has the power to hurt and annoy Catherine, and she can make him jealous. She can't help but say to him, "You should rest now too" and noticing when he comes in late. Rather than admit that, she merely says I heard something and wanted to make sure it was you. At the end of the film, they witness a miracle and experience another one. I actually didn't think Sanders and Bergman had much in the way of chemistry but I suppose for a falling-apart marriage, that works. Ingrid Bergman gives a beautiful performance as a disappointed and sometimes angry woman who is able to come out of herself while seeing Naples. Ingrid Bergman's radiant beauty shines throughout; she gives a lovely, gentle performance; Sanders' character for me was less fleshed out - and again, isn't that just like a man, showing little of his real emotions. I'm sure it sounds like I'm trying to give a lecture on How to Watch a Foreign Film. I'm not - I've hated plenty of them. It just seems to me that sometimes, particularly among young people on this board, there's an emphasis on the technical aspects and a desire to be passively entertained. Doesn't work in this case.

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