S'en fout la mort

1990 [FRENCH]

Drama

4
Rotten Tomatoes Critics - Certified Fresh 100% · 6 reviews
Rotten Tomatoes Audience - Upright 75% · 100 ratings
IMDb Rating 6.7/10 10 1442 1.4K

rooster cock fighting cockfight woman director

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Plot summary

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

Director

Claire Denis Photo
Claire Denis

Top cast

Solveig Dommartin Photo
Solveig Dommartin as Toni
Jean-Claude Brialy Photo
Jean-Claude Brialy as Pierre Ardennes
Isaach De Bankolé Photo
Isaach De Bankolé as Dah
Valérie Monnet Photo
Valérie Monnet as The girl
720p.BLU 1080p.BLU
853.93 MB
1280*768
French 2.0
Not Rated
Subtitles us  fr  
24 fps
1 hr 32 min
Seeds 2
1.55 GB
1800*1080
French 2.0
Not Rated
Subtitles us  fr  
24 fps
1 hr 32 min
Seeds 2

Movie Reviews

Reviewed by Scott R 7 / 10

1001 movies to see before you die. It

1001 movies to see before you die. It took me awhile to track down this one, 999. My friend Jeffrey helped me find it via Plex. It was an intriguing film showing a side of French underground culture. However, it was slow and reflective and didn’t explain motivations plainly, leaving the audience to infer from things. The subtleties that affected the themes were what made the movie. I did laugh out loud at the end when the closing credits started and it said, "No animals were harmed in the making of this movie".
Reviewed by William L 7 / 10

A dark portrayal of survival, ambition, and the

A dark portrayal of survival, ambition, and the immigrant experience from Denis. Drawing parallels between the fighting cocks that the pair train for the amusement of others and their own involuntary subservience to an unchosen master, De Bankolé and Descas portray the restrictive conditions of the first-generation transplant - discriminated against, often unable to effectively integrate and find success due to cultural divides, and a debilitating lack of resources. Denis mananges to convey emotion without excess, allowing more nuanced performances to carry the day. Covers familiar thematic territory, but well-executed. (3.5/5)
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