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Rocco e i suoi fratelli

1960 [ITALIAN]

Action / Crime / Drama / Sport

Rocco e i suoi fratelli

1960 [ITALIAN]

Action / Crime / Drama / Sport

Available in: 720p.BluRay 1080p.BluRay

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91% TOMATOMETER · 32 reviews

94% AUDIENCE · 2.5K ratings

8.2/10 · 26.2K

720p.BluRay 1080p.BluRay

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work prostitute sibling relationship parent child relationship widow milan

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Plot summary

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.

Director

Luchino Visconti

Top cast

Adriana Asti as Laundry Worker

Alain Delon as Rocco Parondi

Annie Girardot as Nadia

Claudia Cardinale as Ginetta

Tech specs

720p.BLU 1080p.BLU

1.6 GB

1280*682

Italian 2.0

Not Rated

Subtitles

23.976 fps

2 hr 58 min

Seeds 5

2.97 GB

1920*1024

Italian 2.0

Not Rated

Subtitles

23.976 fps

2 hr 58 min

Seeds 8

Comments 3

cachapoal 801 days ago

gracias gran pelicula para #CivilCinema o #Maula

marceloferca 1831 days ago

Muchas gracias por esta pelicula, a mi padre le encanta, quisiera sugerir si pueden subir Melodie en Sous Sol

Travis_Bickle93 2057 days ago

Thank you for this gem

Showing 3 of 3 threads

IMDb reviews

From IMDb

7 / 10

I’m not sure this ought not to have

CinemaSerf

I’m not sure this ought not to have been called “Simone” and his brothers as it’s that sibling (Renato Salvatori) whose actions seem to resonate most across…

I’m not sure this ought not to have been called “Simone” and his brothers as it’s that sibling (Renato Salvatori) whose actions seem to resonate most across this family. They are led my matriarch “Rosaria” (Katina Paxinou) from their roots in Italy’s south to find a new home in Milan. That’s because elder son “Vincenzo” (Spyros Fokas) has moved there to be with his girlfriend “Ginetta” (Claudia Cardinale). Almost immediately, there’s a bit of a lively inter-family squabble that sees the her and her other sons “Rocco” (Alain Delon), “Simone”, the more sensible “Ciro” (Max Cartier) and their much younger brother “Luca” (Rocco Vidolazzi) all struggling to make ends meet with “Vincenzo” doing what he can to assist. Jobs are hard to come by and so they all resort to milking the system to put a roof over their heads whilst “Ciro” gets a job and the others do what they can to raise some cash. The narrative is loosely compartmentalised with each brother getting a little bit of the storyline but increasingly they centre around the handsome but unreliable “Simone” who proves useful in the boxing ring and who starts to make some money and to date “Nadia” (Annie Girardot). She’s a lady of the night with whom he falls heavily for, but when she discovers that he his stealing to pay his way with her, she asks “Rocco” to return the gifts and moves to another town. Now “Rocco” receives his draft papers and having sent his last lire to his mother, bumps into “Nadia” and soon a romance of their own is bubbling. This one, though, is not based on supply and demand and when his brother discovers this news, he and his friends set up a scenario with heinous ramifications. With “Simone” now on quite an obviously self-destructive path, “Rocco” - himself now a distinguished boxer after his time in the army disgusted by his brother, and “Nadia” loathing just about everyone - including herself, things become more and more toxic for the “Parondi” family. It’s that toxicity that Luchino Visconti captures evocatively as this characterful story develops along lines that are anything but predictable. Sure there is vengeance, but it’s exercised in such a subtle and accumulating manner as to provide us with a denouement that proves entirely unsatisfactory but somehow entirely appropriate. It’s Salvatori who steals this for me, but Girardot also shines as does Paxinou as the epitome of the Italian mother whose character is largely responsible for some of the sparing but punchy histrionic humour that peppers this family drama. The setting of a nation still recovering from the ravages of war, with money tight and opportunities unevenly spread throughout the place tells us potently of the trials and tribulations of relocation and of fitting-in as much as anything else, and some of the monochrome photography contrasts just as strikingly their slum dwellings with the more beautiful architecture of Milan suggesting that even there, there are rags and riches stories to be told and perhaps even to anticipate too. As in so many stories, boxing is used effectively as not just a conduit for hope, but also one for hatred and ambition and it’s with this persona that Delon is at his most effective as his increasingly conflicted and decent “Rocco” finds life nigh on impossible. The final segment falls to the impressionable young “Luca” who might feel just a little short-changed, but who might also prove to be the one most affected and with the most to look forward to. It’s vibrant, angry, clever and possibly my favourite Visconti film and if you can sit for a few hours and watch it on a big screen, then it’s well worth the effort.

9 / 10

"There's no hope now!"

elvircorhodzic

ROCCO AND HIS BROTHERS is a crime drama about the struggle of a poor Italian family from the South with an unknown and "modern" city life. This family drama is…

ROCCO AND HIS BROTHERS is a crime drama about the struggle of a poor Italian family from the South with an unknown and "modern" city life. This family drama is full of emotional turmoils and tragic upheavals. The four sons of a poor rural Italian family from the South travel with their mother to join their oldest brother in Milan. Each of the five brothers must adjust to a new life in the big city. Their mother is a strong bond that connects them. However, it is difficult to be a harmonious family in the big city. A beautiful prostitute is a cause of discord in their family... Every new experience in the lives of these people is a kind of incident. The protagonists are not able to change their lives. The family is what makes life. Life without the family does not make sense. This is a realistic view of a bitter life, which have gradually extinguished. Emotions are not consistent with the nature of some of the protagonists. Therefore, strong outbursts of emotions are a little bit grotesque. Jealousy, devotion to family or an unrequited love are completely normal life situations. In this case, these are incurable life's wounds. Emotionalism and realism are so intertwined that it is impossible to draw a clear line in some key scenes. Therefore, certain events in this film can not be called a life experience, more a tragedy. The atmosphere is obscured. It is a reflection of a life in the fog, without a clear future. Some scenes are truly shocking. Their significance is even greater, because, human spirit is excommunicated through these scenes. Alain Delon as Rocco Parondi is a loyal, generous and naive young man. He carries a burden of deep pain and family responsibilities on his shoulders. A character, who is trying to find the best in people. His performance has certainly captured the hearts of many viewers. Annie Girardot as Nadia has offered a great performance. A young and beautiful prostitute is torn between two philosophies of life. However, she is not able to choose between a false urban hedonism and true love. Others have chosen for her. It is a tragedy of her character. Renato Salvatori as Simone Parondi is a restless and depressed loafer. A violent man, who can not settle down. The big city is full of good opportunities, but some of them may be a great challenge for an inexperienced young man. Their support are Katina Paxinou (Rosaria Parondi) as a hysterical and helpless mother, Max Cartier (Ciro Parondi) is a kind of voice of reason, Spiros Focás (Vincenzo Parondi) is a quiet and calm oldest brother and Claudia Cardinale (Ginetta) is his emotional wife. This is a dynamic story about members of Parondi family which is falling apart under an influence of crime, mutual misunderstanding and superstition.

9 / 10

Visconti's masterwork

blanche-2

This is perhaps Visconti's most powerful work, though today it may seem a little overwrought and dated. "Rocco e sui fratelli" from 1960 is about a rural…

More reviews on IMDb

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