★ 1 / 10
So.... why one star? Because, honestly, it's boring
GenerationofSwine
So.... why one star? Because, honestly, it's boring. It kind of does to New Orleans' red-light district what Reds did to John Reed.... sucked all the…
So.... why one star? Because, honestly, it's boring. It kind of does to New Orleans' red-light district what Reds did to John Reed.... sucked all the excitement out of the story in an effort to make it artistic.
It's well acted, but it's weak on plot, weak on story, weak on entertainment.... but, like Reds, it's one of those movies that you have to watch because 41 years after the fact it is still being talked about.
But, to be fair, I guess it's hard to make a movie about someone that takes pictures and make it riveting. After all, E. J. Bellocq wasn't exactly Robert Capa
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★ 7 / 10
A monstrous subject handled with care and beauty by Louis Malle
tomgillespie2002
Set during the final weeks of legal prostitution in Storyville, New Orleans, the whorehouse ran by the ageing Madame Nell (Frances Faye) is quietly coming to…
Set during the final weeks of legal prostitution in Storyville, New Orleans, the whorehouse ran by the ageing Madame Nell (Frances Faye) is quietly coming to an end. This is unknown to the employees, who are going about their work and earning their money. Ernest Bellocq (Keith Carradine), a real-life photographer who took the famous Storyville prostitute portraits, arrives and takes an special interest in the beautiful Hattie (Susan Sarandon), and her 12-year old daughter Violet (Brooke Shields). Violet is a confident, bratty and adventurous girl who is groomed to be the star attraction at the brothel by Hattie and Madame Nell. As the men queue up for Violet, Bellocq also becomes enamoured with her, and the two start a strange love affair.For such a monstrously ugly subject, Pretty Baby is a strikingly beautiful film. The idea of child prostitution is repulsive but was a very real thing back in the 1917-era (and obviously still exists today under a much more secretive veil). It takes a very brave director to even consider tackling such a subject, and then to do it with such elegance, truth and respect. The both cosy and dank whorehouse pulses with life and realism, to the point where it feels like the film was actually filmed in the time. Minor details such as the peeling paint on the window ledges and the layers of dust on the bookshelves adds an authenticity rarely seen.The film was extremely controversial in its day (and would still be if it was released today) for its full-frontal nudity of a 12-year old Brooke Shields. It is undoubtedly uncomfortable to watch at times, but as hard as it is to say, it is necessary to truly see who she is, and what the men want her for, which makes the whole thing even more horrific and wrong. The scene where she is carried into a room and flaunted as a virgin to rich, cigar-smoking older men who start a bidding war to take her virginity, left me cold. It is a truly powerful scene, and when we later see her naked in her youth, all fragile and undeveloped, it almost made me sick.Shields, who is clearly not the most talented actress in the world, is genuinely brilliant here. Full of natural beauty and swaggering maturity, her character is a complex mixture of the naive, the immature, and the wise-beyond-her-years. She seems more than ready, and eager to start work, and has the natural ability to wrap a man around her little finger. Years growing up in a brothel has seemingly left her unable to feel. And when she begins her relationship with Bellocq, it is unclear if she truly loves him, or she is simply acting to get the life she desires. If you can stomach the taboo subject matter, this is a fascinating film, rich with great acting, complex characters and a smart script, handled with an individuality and grace by the great Louis Malle.www.the-wrath-of-blog.blogspot.com
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Vile.