Nosferatu a Venezia

1988 [ITALIAN]

Action / Horror

8
Rotten Tomatoes Audience - Spilled 25% · 100 ratings
IMDb Rating 5.1/10 10 2101 2.1K

venice, italy gypsy vampire carnival

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Plot summary

Professor Paris Catalano visits Venice, to investigate the last known appearance of the famous vampire Nosferatu during the carnival of 1786.

Director

Klaus Kinski Photo
Klaus Kinski

Top cast

Christopher Plummer Photo
Christopher Plummer as Professor Paris Catalano
Elvire Audray Photo
Elvire Audray as Uta Barneval
Donald Pleasence Photo
Donald Pleasence as Don Alvise
Klaus Kinski Photo
Klaus Kinski as Nosferatu
720p.BLU 1080p.BLU
855.8 MB
1280*682
Italian 2.0
TV-MA
Subtitles us  
23.976 fps
1 hr 33 min
Seeds 1
1.55 GB
1920*1024
Italian 2.0
TV-MA
Subtitles us  
23.976 fps
1 hr 33 min
Seeds 4

Movie Reviews

Reviewed by DanTheMan 2 4 / 10

I have very fond memories of Hertzog's Nosferatu

I have very fond memories of Hertzog's Nosferatu from last year's Spooky Season, a film that I have now come to prefer over the silent original. Unfortunately, Nosferatu in Venice is an unholy mess, it's a monumental muddle with flashes of brilliance, but it's rendered bereft of any coherency. Despite the script's ambitions, the dialogue is often poor if not ridiculous but often benefits from the delivery and halfway decent performances from Christopher Plummer and Donald Pleasance. Other areas of notability include the brisk pace of the film, Augusto Caminito's direction and Tonino Nardi's cinematography which captures the canals and Gothic architecture to great effect and a passable score from Luigi Ceccarelli, although the use of Vangelis' mask is what really stands out. As for Kinski, he completely sinks the film, certifying that he is indeed genuine scum. Just some of his antics in this film include: causing multiple directors to quit, refusing to wear his makeup or the fangs and sexually assaulting multiple people, footage of which is included in the film... Jesus Christ. Nosferatu in Venice is anything if not ambitious. Confusing and scattershot, with some awkwardly constructed scenes and goofy editing choices, though the atmosphere of Gothic dread certainly helps somewhat leaving it as an oddly poetic, if completely nonsensical, take on vampirism.
Reviewed by R T 7 / 10

A mess in how it flagrantly disregards established

A mess in how it flagrantly disregards established vampire lore and the proceedings of the first film and how it introduces characters and concepts only to just as quickly drop them. I understand this all stems from Kinski losing his shit and accosting cast and crew, but somehow (because of the aforementioned quirks?) the final product manages to be as interesting as Herzog's remake. Plus it benefits from Plummer and Pleasance's presence (scant as the latter's part may be) and sumptuous gothic Venetian settings.
Reviewed by andy f 8 / 10

A sprawling hugely atmospheric kind of sequel to

A sprawling hugely atmospheric kind of sequel to "Nosferatu". No Herzog, but an Italian team deliver a stunningly spooky Venice - it's beautiful to watch. Kinski in one of his last movies struts and snarls with aplomb (the fraught atmosphere on set probably helped) and Christopher Plummer and Donald Pleasance add gravitas. No masterpiece, but it is hugely underrated.
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