★ 7 / 10
This offers a really poignant look at what
CinemaSerf
This offers a really poignant look at what we might describe as mutual insanity. "Maj. Celliers" (David Bowie) is convicted by the occupying Japanese on the…
This offers a really poignant look at what we might describe as mutual insanity. "Maj. Celliers" (David Bowie) is convicted by the occupying Japanese on the island of Java on citing rebellion. With hindsight, perhaps he would rather not have been, but he is spared the firing squad and sent to the POW camp of "Col Yonoi" (Ryuichi Sakamoto) who leaves much of the day to day brutality to his henchman "Sgt. Hara" (Takeshi Kitano). Also interned is "Col. Lawrence" (a strong performance from Tom Conti) who knows a thing or two about the culture of their "hosts" and tries, as best he can, to mediate and mitigate their worst excesses. What now ensues depicts the brutality - physical and psychological employed by the sadistic "Hara" whilst interspersed with some retrospectives giving us some of the back-story of "Celliers" and his life of privilege back home. The production is rich and alluring to watch; Bowie and Sakamoto both look beautiful here - and perhaps that adds to the potency of the cruelty of the latter more. The gist of the story calls into question an whole range of emotions from the more visceral to the more profound and though it is probably a bit too long, the powerfully emotive performances are captivating. Bowie maybe wasn't the best actor ever, but here he excels and with Sakamoto provides something really quite thought provoking.
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★ 8 / 10
We Are Right And They Are Wrong
boblipton
David Bowie is captured by the Japanese and sent to a prison camp, where the British commander is a bluff, old-school sort, but the Japanese commandant…
David Bowie is captured by the Japanese and sent to a prison camp, where the British commander is a bluff, old-school sort, but the Japanese commandant, Ryuichi Sakamoto, is a believer in bushido, and the cowardice of the British soldier. Tom Conti, who spent time in Japan before the war, tries to bridge the gap, but no one believes him.
It's another of director Nagisa Ôshima's trashing of the old order in Japan, ased on a memoir by Lourens van der Post. In many ways, it reminds me of BRIDGE ON THE RIVER KWAI, with its state of mutual insanity, except unlike Sessue Hayakawa's commandant in that picture, there;s never the slightest hesitation or uncertainty on other side: right is right, wrong is wrong, and the other fellow is a filthy beast. Even Conti is insane, with his belief that he can ameliorate the situation.
Magnificent score by Sakamoto, who was embarrassed by his performance when the Japanese audience laughed at it during a screening. He was known at that time almost exclusively as a comic actor.
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Fact : This movie was made in New Zealand with stolen tax payers money. Still a very good movie.