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I vitelloni

1953 [ITALIAN]

Action / Comedy / Drama

I vitelloni

1953 [ITALIAN]

Action / Comedy / Drama

Available in: 720p.BluRay 1080p.BluRay

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100% TOMATOMETER · 29 reviews

90% AUDIENCE · 5K ratings

7.8/10 · 23.6K

720p.BluRay 1080p.BluRay

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Plot summary

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

Director

Federico Fellini

Top cast

Enrico Viarisio as Signor Rubini

Silvio Bagolini as Giudizio

Lilia Landi as Herself

Achille Majeroni as Sergio Natali

Tech specs

720p.BLU 1080p.BLU

854.29 MB

968*720

Italian 2.0

Not Rated

Subtitles

25 fps

1 hr 44 min

Seeds 4

1.62 GB

1440*1072

Italian 2.0

Not Rated

Subtitles

25 fps

1 hr 44 min

Seeds 19

Comments 5

Isaacaaaaaaaa 2748 days ago

. ...

8lackie 2844 days ago

Subtitles are not available on YIFYsubtitles?

greyman91 2924 days ago

I downloaded this movie before 1080 and now extracting but have problem i test 7zip software ?? this movie is not normal

papoulka 2972 days ago

Why rip a film and omit the subtitles? That just leaves a problem for everyone who doesn't speak the film language. Which is why disk producers include subtitles in the first place! So here we've got an Italian classic with no subs. I can spend an hour trying to find some that are in synch all through, or the same time fixing some that aren't - or skip the whole thing and look elsewhere. Guess I'll do that...

Attreyu 2972 days ago

blew my mind when i saw this at university. thank you freeman

Showing 5 of 5 threads

IMDb reviews

From IMDb

7 / 10

I will admit that I still struggle to

CinemaSerf

I will admit that I still struggle to quite understand the awe Fellini seems to generate amongst fans. His films are beautifully shot but usually involve the…

8 / 10

Unjustly neglected Fellini

tomgillespie2002

Unjustly put into the back-seat of Federico Fellini's extraordinary career, I Vitelloni is a relatively simplistic tale of 30-something slackers in a small…

Unjustly put into the back-seat of Federico Fellini's extraordinary career, I Vitelloni is a relatively simplistic tale of 30-something slackers in a small 1950's Italian town. While it doesn't stand out against works such as La Dolce Vita (1960) or 8 1/2 (1963), this shows a different side to Fellini's famous circus-tent approach, engaging Neo- Realist sensibilities to form a rather bleak, but nonetheless amusing autobiographical film. While Amarcord (1973) was a more straight-forward depiction of Fellini's childhood memories, I Vitelloni seems to be based on people he has observed, possibly while growing up, who, like him, sought to break out of small-town life. Amarcord was a sweet homage to his hometown, but I Vitelloni shows what this kind of life can do to a generation born to parents of sacrifice. The Vitelloni (translated as 'the Boys') consist of Moraldo (Franco Interlenghi), a quiet, observant young man; Fausto (Franco Fabrizi), a handsome playboy; Alberto (Alberto Sordi), a daydreamer unhappy at his sister's affair with a married man; and Leopoldo (Leopoldo Trieste), the writer who harbours dreams of writing critically-adored plays. After Fausto gets Moraldo's sister Sandra (Leonora Ruffo) pregnant, he thinks about skipping town, but is talked out of it. He instead married Sandra, but continues to pursue women, whether they're single or taken, or even if they're married to his boss. With carnival approaching, we witness the group try their best to do as little as possible. They all dream of escaping the town, but do nothing to help it. Instead, they drink, gamble and chase women. Fellini doesn't have disdain for these characters, but shows them for what they are. They see their parents and grandparents, old and seemingly miserable, and see what their sacrifice has brought them. So, naturally, they rebel. Fausto is undoubtedly a loathsome character, even going as far as leaving a cinema half-way through a movie, where he is with his wife, to chase a beautiful woman. But for all his flaws, he still manages to gather sympathy. It seems like he simply cannot stop, locked into a life in which he doesn't belong, but he is solely responsible for. Yet for all his complexities, you can't help but feel relieved when he is given his comeuppance by his father. It's a clever juxtaposition of the generations, and although society will always produce a 'generation X', sometimes a good slap in the face is what is needed. Although Fellini remains somewhat reserved throughout the majority of the film, choosing a still, controlled camera, he breaks out of the neo- Realism approach about half-way through for a scene in which carnival comes to town, with the sound of a lonesome drunken trumpet player running in a circle bellowing in an abandoned dance hall, as the catatonic Alberto staggers outside. It's the style that he would explode with in later years, as giant paper-mache heads poke out amongst sweaty party-goers. It helps counteract the seriousness of the movie's themes, perhaps even subtly elevating it, but it's the film's touching final sentiment that will stay with you, as a train carries one of the Vitelloni out of the town. Whether he will be back, or whether it will finally allow him to be happy we don't know, and that's a tragic statement if there ever was one. www.the-wrath-of-blog.blogspot.com

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