★ 7 / 10
Though by its very nature it's quite stagey
talisencrw
Though by its very nature it's quite stagey, the bizarre psychedelic effects downright intrinsic of the period add to the charm of this intriguing work. Even…
Though by its very nature it's quite stagey, the bizarre psychedelic effects downright intrinsic of the period add to the charm of this intriguing work. Even crap films such as 'Exorcist II: The Heretic' can't be dismissed because of Richard Burton's outstanding persona. Elizabeth Taylor's appearance can't be considered sheer waste because her beauty and je ne sais pas make this tale of someone willing to give up his very soul for the woman he loves completely believable. In the director's chair for once as well, even though he is helped, he does a resolutely credible job, nothing to be embarrassed about. Definitely worth one's time for the adventurous cinephiles out there.
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★ 6 / 10
DOCTOR FAUSTUS (Richard Burton and Nevill Coghill, 1967) **1/2
Bunuel1976
Cerebral and altogether too-literal transcript of Christopher Marlowe’s venerable play – the end result is opulent yet claustrophobic, not to mention dull.…
Cerebral and altogether too-literal transcript of Christopher Marlowe’s venerable play – the end result is opulent yet claustrophobic, not to mention dull.
Burton the producer/director certainly made inspired choices for his collaborators – production designer John De Cuir, cinematographer Gabor Pogany, composer Mario Nascimbene. Burton the actor, then, is riveting as always (particularly the monologue towards the end) – but real-life spouse Elizabeth Taylor is simply ludicrous as Faustus’ object of desire (in various disguises including Helen of Troy)! The remaining cast is largely made up of Oxford University drama students (the University itself, of which Burton was a former graduate, partly financed the film!): of these, only Andreas Teuber’s bald-headed, monk-clad Mephistopheles manages a striking performance.
The “Mondo Digital” review had likened this to the cult horror films made by Hammer, Roger Corman and Mario Bava: judging by the campy Papal sequence (with a host of fey clergymen on whom Faustus plays childish pranks) and an equally tacky conjuring act before a medieval court, I’d say that Burton and Coghill probably drew more on the decadent work of Federico Fellini or Pier Paolo Pasolini than anything else! Anyway, the experimental nature of the film extends to the baffling over-use of a pointless ‘foggy’ effect; its depiction of lust, however, emerges as traditionally naïve – with frolicking satyrs in a garden setting and decorous female nudity (including Taylor herself for one very brief moment).
Ulimately, DOCTOR FAUSTUS is to be considered an interesting failure – a personal tour-de-force for Burton but which, perhaps, needed a steadier hand…say, Joseph Losey (with whom the two stars would soon work on BOOM! [1968], curiously enough, a similar and equally maligned blend of fantasy and theatricality).
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1080 please