Brainwashed: Sex-Camera-Power

2022

Documentary

10
Rotten Tomatoes Critics - Certified Fresh 69% · 52 reviews
Rotten Tomatoes Audience - Upright 89% · 50 ratings
IMDb Rating 6.3/10 10 1256 1.3K

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Plot summary

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Director

Top cast

Brad Pitt as Self
Tom Cruise as Self
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
990.78 MB
1280*720
English 2.0
MA15+
Subtitles dk  fi  no  sv  
23.976 fps
1 hr 47 min
Seeds 1
1.98 GB
1920*1080
English 5.1
MA15+
Subtitles dk  fi  no  sv  
23.976 fps
1 hr 47 min
Seeds 7
950.46 MB
1280*720
English 2.0
MA15+
Subtitles dk  fi  no  sv  
25 fps
1 hr 42 min
Seeds ...
1.72 GB
1920*1080
English 2.0
MA15+
Subtitles dk  fi  no  sv  
25 fps
1 hr 42 min
Seeds 1

Movie Reviews

Reviewed by CinemaSerf 6 / 10

It looks like there was quite a bit

It looks like there was quite a bit of Disney family backing for this occasionally quite insightful look at the roles of women in cinema over the decades, but unfortunately Nina Menkes chose to use a lecture as the template for her message and the ensuing delivery is probably more notable for it's sweeping generalisations than it is for any potent points it wishes to make. Her message about the historical objectification of women at the hands of largely (heterosexual) men drags in far too many films and genres without really detailing just who was directing what - on screen or from the office. Nor, indeed, does it begin to address that many of these men would have been facing a considerable degree of sexual repression of their own - and a legal one, at that, as they made their films. The simplicity of many of the statements aren't backed up by any of the actors or directors providing comment - contemporary or archive - on why they chose to make films that may or may not have compromised their actor's sexual and/or artistic integrity. The likes of Katharine Hepburn, Bette Davis, Greta Garbo and Marlene Dietrich were, to an extent, made by their male directors and producers but would anyone argue that they compromised their identity to become stars? If so, then was this because of a male dominated studio system or maybe because that's what the wider American - this documentary doesn't attempt with any weight to look at the far more interesting European cinema environment - public actually wanted. To what extent are any of her assertions, and those of her assembled collection of academics and C-listers, taking into account the market for which these works are intended. Again, there's no redress for the cinema going punters. Great detail is gone into about the sexualisation of the female body, of violence - physical, psychological or implied; but again we have no input from the directors or the writers who created these images and characters to explain any rationale. Nor do we really hear about the motivations from the participators who needed the work, wanted the fame, wanted the money, or who didn't see any of it as prurient or exploitative at all. It's the very one-sided earnestness that disappoints. Balance wouldn't necessarily have diluted the thrust, but it might have illustrated far better the intricacies both commercial and personal of an industry as riddled with flaws and inconsistencies as the society it serves.
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Reviewed by henry8-3 5 / 10

Brainwashed: Sex-Camera-Power

Film maker Nina Menkes delivers a lecture to film students etc advocating that the way films are made and specifically how camera shots of women are composed are still inherently objectifying women such that it is illegal / discriminatory. This is backed up by the analysis of many clips by many different women.

It has been said that you are not going to look at films the same way after this and that's probably true. Mendes puts forward strong, pretty much undeniable arguments to support her point and it is astounding to appreciate that this goes on - although I'm not sure the points she's making works convincingly with every clip. What's more worrying is that Hollywood is still a bastion of male film making with very few women film makers out there and with most men portraying women in a very specific objective and rather offensive way. Not a riveting documentary, but a good argument which like all such cases won't convince everyone - although I'm not sure why. My one complaint is that no one from the 'industry' is in attendance and not a single male to either argue or concede the point.

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