★ 5 / 10
I personally found <em>'Bird'</em> - directed by Clint
r96sk
I personally found 'Bird' - directed by Clint Eastwood - to be an absolute slog to sit through. It's an interesting story no doubt, but it's told in the most…
I personally found 'Bird' - directed by Clint Eastwood - to be an absolute slog to sit through.
It's an interesting story no doubt, but it's told in the most mundane and boring way possible. I didn't know anything about Charlie Parker beforehand, which is what kept that aforementioned interest there. I'm no jazz fan either, but I am always happy to listen to it when it comes up though.
Despite that, I just couldn't get into the film itself. It just felt like it was 160 minutes (!) worth of the following on repeat: performance, drunk and/or depressed, performance, drunk and/or depressed etc. I didn't feel like I was learning anything about Parker and his life. I literally gave an internal cheer when the credits finally rolled around.
I do enjoy Forest Whitaker as an actor and he is probably the reason I'm not rating this lower. As for the rest, I don't even recall any of them - though I'm putting that down to what I've already noted, as opposed to the cast themselves who I'm sure tried their upmost.
Way too long, in short. As I said it's an intriguing person to make a film about, an around 100 minute production would've been perfect in my opinion. A shame, all in all.
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★ 6 / 10
A sincere but disappointing tribute to Charlie Parker
bwaynef
Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who…
Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who Eastwood, a jazz aficionado, saw perform in Oakland, California in 1946. For this labor of love, Eastwood assembled an excellent cast including Forest Whitaker as Parker, Diane Venora--flawless as Bird's woman, Chan Parker--and, in a small role of one of the musician's flirtations, Ana Thompson (the "cut whore" from "Unforgiven"). With the aid of cinematographer Jack N. Green, Eastwood captures the neon burnished lights and darks of the night world Parker inhabited, and the music, featuring genuine Parker solos augmented by modern musicians, can't be faulted, but despite its merits, this "Bird" never takes flight. It is long--too long--and the story it tells, though certainly dramatic in its bleak and uncompromising portrait of an artist whose music was often overshadowed by his drug addiction, weighs down too heavily on the latter than the former. Why is Charlie Parker so important? That question isn't answered here, but another question--why was Charlie Parker dead at 34?--is addressed and answered at length. There is potential on view here--Parker's struggle to survive as a musician in a culture that is more appreciative of rock and roll than of jazz is a minor thread that could have been expanded--but much of it is unrealized. "Bird" is a handsome film, but its craftsmanship and artistry is defeated by the script.
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