Akai satsui

1964 [JAPANESE]

Action / Drama

8
Rotten Tomatoes Audience - Spilled 60%
IMDb Rating 7.6/10 10 2019 2K

adultery japanese new wave

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Plot summary

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

Director

Shôhei Imamura Photo
Shôhei Imamura

Top cast

Shôichi Ozawa Photo
Shôichi Ozawa as Kazuyuki Tamaru
Hyôe Enoki Photo
Hyôe Enoki as
Yûko Kusunoki Photo
Yûko Kusunoki as Yoshiko Masuda
Bumon Kahara Photo
Bumon Kahara as
720p.WEB 1080p.WEB
1.35 GB
1280*544
Japanese 2.0
Not Rated
Subtitles
23.976 fps
2 hr 30 min
Seeds ...
2.5 GB
1920*816
Japanese 2.0
Not Rated
Subtitles
23.976 fps
2 hr 30 min
Seeds 6

Movie Reviews

Reviewed by william d 6 / 10

Kind of a weird movie. The female protagonist

Kind of a weird movie. The female protagonist has it pretty rough, but she's such a doormat it's hard to feel very sympathetic. The drama isn't too bad, I just don't think it's worth the two hour thirty minute running time.
Reviewed by chaos-rampant

Intentions of Murder

Also known as Intentions of Murder, this marks my sixth Imamura film and my appreciation for this Japanese filmmaker continues to grow. I rank him with Kurosawa among the Japanese greats. To think Hollywood has only recently been appropriating what Imamura was pioneering back in the 60's and that Imamura's film has a scarce 195 votes I believe is almost unethical. That a loveless housewife married to an abusive husband who cheats on her should fall in love with the thief who breaks in her house one night and rapes her and the resulting movie is neither played for laughs nor reduced to hokey melodrama is a testament to the creative force at hand.Imamura's uncanny ability to find the absurd in the mundane, the blackly comedic in the serious and the humane in the bleak and hopeless, this curious heady mix, eccentric but not for the sake of it, with which the director as sympathetic anthropologist handpicks his characters from the lowest strata of society, observes their struggles, triumphs and follies (like the shots of mice running aimlessly inside their cage he uses in the movie - animals, a usual if not subtle metaphor for Imamura), not with the detached amused air of the cynic (like the Coens tend to do), not to present them as quirks to amuse the sophisticated cineaste too inhibited to even aknowledge the trappings in himself, but truthfully, honestly, with a hint of sadness but never without humour to admire their downfall when they succumb at the last to their animalistic desires.Beautifully filmed, daring in its New Wave experimentation, its dynamic shots (the camera peering from improbable angles, through doorways, inside tunnels, along with moving trains), its great use of the widescreen canvas, its sound design. Recommended for fans of the director's work and anyone interested in Japanese New Wave cinema.
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