YTS.GG

HD movies at the smallest file size.

Login | Register

4K

Quality:

Genre:

Year:

Rating:

Language:

Order By:

Advanced Search
2025

Javascript not supported on your browser, please enable Javascript in order to fully utilize the website

Zero Dark Thirty

2012

Action / Drama / History / Thriller / War

Zero Dark Thirty (2012) download

Zero Dark Thirty

2012

Action / Drama / History / Thriller / War

Available in: 720p.BluRay 1080p.BluRay 2160p.BluRay.x265

Download Subtitles

207

91% TOMATOMETER · 305 reviews

80% AUDIENCE · 100K ratings

7.4/10 · 345.6K

720p.BluRay 1080p.BluRay 2160p.BluRay.x265

Download Subtitles

hotel van mossad central intelligence agency (cia) terrorist cia

Please enable your VPΝ when downloading torrents

If you torrent without a VPΝ, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action!

Get Guard VPΝ

Zero Dark Thirty (2012) download

Zero Dark Thirty (2012) download

Zero Dark Thirty (2012) download

Plot summary

A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.

Director

Kathryn Bigelow

Top cast

Chris Pratt as Justin - DEVGRU

Frank Grillo as Squadron Commanding Officer

Kyle Chandler as Joseph Bradley

Jessica Chastain as Maya

Tech specs

720p.BLU 1080p.BLU 2160p.BLU.x265

1.00 GB

1280*720

English 2.0

R

Subtitles

23.976 fps

2 hr 37 min

Seeds 30

2.00 GB

1920*1080

English 2.0

R

Subtitles

23.976 fps

2 hr 37 min

Seeds 79

7.08 GB

3840*2076

English 5.1

R

Subtitles

23.976 fps

2 hr 36 min

Seeds 36

Comments 21

Log in to join the discussion

ChasUGC 356 days ago

As the Oracle said. First, you have to understand there is no movie. Then, you will see.

mehr_raab 448 days ago

we know who is behind 9/11

mumanov 911 days ago

excellent Sci-Fi movie

JamieThe5th 992 days ago

We know how's behind 09/11

haloraider 1269 days ago

@joeasis @kramlafup - no sh*t, sherlock. it's not labeled "documentary". Please proceed to the next window to pick-up your "Masters of the Obvious" trophies. smh

DeVilamir 1270 days ago

Another American propaganda... have to pass it.. coz it not a movie to entertainment but for propaganda.

zorg2 1270 days ago

Thanks for 4K OTTO

steliart 1411 days ago

Why isn't this movie in the Sci-Fi category...

Aaron_Osabel 1652 days ago

Two Things only. Are You with Us or are you with the Enemy? There's No one in between.

kramlafup 1723 days ago

Fiction

h2so4_72 2037 days ago

wow!! love action movies... thanks OTTO

amithnew 2180 days ago

excellent movie..recommend to watch

Torobal 2378 days ago

It is a great movie, Thanks for sharing this movie

joeasis 2403 days ago

watch The Report. this movie is a fantasy.

vurica 2473 days ago

Nice propaganda. Won't see that.

4tt3nt4t 2540 days ago

Another collaboration between Kathryn Bigelow and the US Military with lots of explosions. - not for me. Thanks anyway.

romeooo7 2728 days ago

how can i download this 1 ?

sxminator 2931 days ago

I agree with alachouya3, I also thought this was gonna be a bore since wikipedia described it as a "political-thriller" film. Turns out that it's pretty good. If you've watched the movie Argo and loved it, you're gonna love this one as well

Alachouaya3 2955 days ago

i thout this is a political long boring movie, but believe me this is a thriller movie filled with suspense and explosuions, watch this movie as soon as possible

ytshenal 3264 days ago

720p.. there is no movie in there.. :(

Showing 20 of 21 threads

IMDb reviews

From IMDb

5 / 10

Quite a flat movie. The story is interesting

Andres Gomez

Quite a flat movie. The story is interesting and also the fact that it shows how US has used tortures (which everybody but some US citizens already knew) but…

It’s simultaneously a blessing and a curse that

Matt Golden

It’s simultaneously a blessing and a curse that I often wind up seeing films post-theatrical release. Even though I don’t intentionally seek out spoilers (OK…

It’s simultaneously a blessing and a curse that I often wind up seeing films post-theatrical release. Even though I don’t intentionally seek out spoilers (OK, I do, but I’m getting better about it), I do still read reviews of films. The best reviews convey two things: 1) what the author thought of the film in question, and 2) enough information to give the reader an informed opinion as to whether or not said reader will enjoy the film, regardless of the author’s response. Those reviews, coupled with the near-unanimous praise the film has received from all quarters caused me to believe that I would fall in love with this film, becoming swept up in its high-tension, immaculately-crafted story of the hunt for, and eventual assassination of, master terrorist Osama bin Laden. I was so very, very wrong. It starts well enough: under a black screen, a restrained opening plays audio (I do not know if it was real or dramatized) of phone calls placed on September 11, 2001 as the terrorist attacks that brought down the World Trade Center and the Pentagon were occurring. The film then introduces us to Maya (Jessica Chastain), one of many CIA workers tasked with finding the man responsible for those terrorist attacks. We follow Maya over the next twelve years, seeing small glimpses of her as she grows from determined but unsure interrogator to a woman whose sole reason in life is the location and capture of Osama bin Laden. The film was in production for a long time, and the ending had to be hastily rewritten to account for the real-life assault on the bin Laden compound, which resulted in his death. What a boon this became for the film (to say nothing of the country as a whole), as the thirty-minute compound assault that serves as the film’s final act is a breathtaking, tour-de-force whirlwind, following Seal Team Six into the dark den of the most notorious terrorist in American history and emerging victorious. Unfortunately, the two hours preceding that astonishing climax is unforgivably dull, lacking almost completely in character development and good writing, and structured with the worst possible way in which to tell this epic and (potentially) fascinating story. Chastain, one of the best actresses of her generation, vacillates between being utterly terrific (attempting to convince her superiors of her lead, her final scene) and sadly miscast. Chastain is an actress of uncommon grace and beauty, and trying to put her in the role of an embittered federal agent simply doesn’t work. The rest of the cast is serviceable, but the script (more on that in a moment) simply gives them nothing to do. At least the SEALs fare slightly better, with Joel Edgerton and Chris Pratt (from TV’s 'Parks & Recreation') crafting positive impressions from their slivers of dialogue. Oh, that script. Written by journalist Mark Boal (Oscar-winning screenwriter of Bigelow’s 'The Hurt Locker'), it is a cacophony of crap. The dialogue is inane (“Bin Laden is there. And you’re going to kill him for me.”), the characters are flat, lifeless, and uninteresting, and most unforgivably, it takes what should have been a massively satisfying story (the hard-won retribution visited upon the monster that killed 3,000 innocent Americans), and trivialized it to nothing than the personal investment of a single person spurred by the death of a couple of coworkers during the twelve-year-long search. I understand that the search for bin Laden was over a decade of boredom and legwork, punctuated only by intermittent threats (most of which felt cooked up specifically for the film, despite those setpieces paling to what I can only imagine the real scenarios must have been like). But Bigelow’s insistence on conveying that to the viewers by boring them to tears as well is not an effective recipe for drama. In a way, it’s the inverse of Steven Spielberg’s 'Saving Private Ryan'. 'Ryan' is a not a good film (the screenplay is utter dreck), but the skill, inventiveness, and sheer directorial talent on display in that phenomenal opening sequence catapult it to being on the greatest scenes in cinema history. Here, Bigelow stages her own version at the end of her film, and the results are equally gripping and visceral. On the basis of that one scene alone, Bigelow (much like Spielberg) deserved inclusion in the Academy’s nominees for Best Director. Outside of that, however, I find the critical acclaim of the film to be completely mystifying. The movie as a whole is rotten to its poorly-written core, a waste of money, and a diminishment of one of the best real-life stories of modern times. If you can, pop in for the last reel, but spend the other two hours watching something better.

More reviews on IMDb

Thanks for supporting YTS

Supporter badges recognize people who help keep YTS running.