Filmmaker John Boormans' follow-up to "Deliverance" is admittedly not to all tastes. Boorman, who also produced and wrote the film, gives us a one of a kind experience that, ultimately, is better seen than described. Words like "weird" and "provocative" come to mind when viewing it, because it's full of ideas.

It depicts a world of the future (the year 2293, to be exact) where a sly master intelligence, Zardoz, has contrived a way to keep unruly lower classes in line. One of the lower class people is an "exterminator", Zed (Sean Connery), whose job is to kill, period. One day Zed decides to seek truth, and hitches a ride in a great stone head, where he's transported to a "vortex", or environment, where the bored upper class, a group of immortal intellectuals, don't know what to make of him. He shakes up their world as much as they shake up his.

The most striking element of "Zardoz" is the visual approach. Filmed on location in Ireland, it takes us from one surreal set piece to another, with deliberately stylized dialogue. The cast plays the material with very straight faces. Connery looks fairly embarrassed, and considering the fact that his costume partly consists of a red diaper, one can hardly blame him. (He wasn't too happy about having to wear a wedding dress, either.) Charlotte Rampling, Sara Kestelman, John Alderton, Sally Anne Newton, and Niall Buggy co-star; of this group of actors, Buggy does manage to inject some humour into the proceedings.

This is sedately paced and short on action, but it's compelling in its own offbeat way, provided one is able to stick with the story. While it's not likely to be very appealing to a mainstream audience, it's not something easily forgotten for devotees of cult cinema.

Seven out of 10.