★ 7 / 10
When it sticks to the struggle between the
Vitor O
When it sticks to the struggle between the Tennesse Valley Autority and the people living in a island that is meant to be flooded, it's an excellent film.…
When it sticks to the struggle between the Tennesse Valley Autority and the people living in a island that is meant to be flooded, it's an excellent film.
However, the (dated) melodrama that follows between an otherwise great Montgomery Clift and one of the islanders bogs down the picture, weakening the final result and the impact of its core theme.
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★ 10 / 10
A quiet and reflective piece of old Americana
Matthew D
A quiet and reflective piece of old Americana. Director Elia Kazan's Western romance drama Wild River (1960) is a fascinating picture. Kazan's sincere and…
A quiet and reflective piece of old Americana.
Director Elia Kazan's Western romance drama Wild River (1960) is a fascinating picture. Kazan's sincere and tranquil direction is engaging. Kazan cares about the black people and working class clearly here. Standing up to racism and inequality is interesting in this gritty film. I like how he shows both sides of the argument to moving someone off their property to build a dam over a lethal river. The plot is remarkably similar to The Fugitive Kind from the same year with Marlon Brando.
Writer Paul Osborn adapts authors William Bradford Huie and Borden Deal neat historical narrative. Wild River takes on empathy for the poorest of Americans without luxuries. I found the central romantic plot between Montgomery Clift and Lee Remick wonderful. Wild River feels like a lost picture of old Americana that reflects our hardest traditions, cruel racism, gentle romantic feelings, and nuanced expressions. Wild River is easily one of Elia Kazan's strongest films up there with On the Waterfront or East of Eden.
Montgomery Clift is compelling as the sensible government representative Chuck Glover. He tries to reason with logic and some pathos to appeal, but to no avail. His piercing eyes, soft spoken nature, subtle acting, and realistic style feel so modern. He never tries to go big, but be heartfelt and earnest in every scene. Clift is handsome, caring, and lovable as Wild River's romantic hero Chuck Glover. He's got real romantic chemistry with Lee Remick.
Lee Remick is gorgeous as the sweet young lady Carol Garth Baldwin. Her gentle manner and stunning blue eyes are mesmerizing. She is totally captivating, beautiful, and tender, especially with her scenes opposite Clift. She is lovely and has a tougher personality after all her heartache and suffering in poverty while having to take care of her children. Her cautious looks of longing and curiosity at Clift are riveting. I love her little singing passage with a folk tune.
Jo Van Fleet is tough as the bitter elderly lady Ella Garth, who refuses to sell her land to the government for their dam. She makes interesting arguments for her land, against government expansion, and against taming nature like the wild river. You'd think she's just bitter and sentimental, but she is also speaking for the smaller people with no voice and tradition, even if it'll keep them all poor.
Barbara Loden is adorable as the squeaky voiced secretary Betty Jackson. It's so neat to see her so young, a decade before she famously goes on to direct Wanda in 1970. I did not know she was married to Kazan. Bruce Dern cameos as Jack Roper in his film debut. James Earl Jones' father Robert Earl Jones cameos as Sam Johnson with his cute dog. I love his adoration for his old hound dog. Jay C. Flippen is funny as the blunt old redneck Hamilton Garth.
Editor Wlliam Reynolds cuts Wild River with striking transitions from breezy winds in the trees to wide shots of desolate brush. Cinematographer Ellsworth Fredericks uses gripping medium shots of Clift and Remick to keep us together with this odd couple of thoughtful lovers. I love the far wide shots of the river, old shack, and impoverished interiors from art directors Lyle R. Wheeler and Herman A. Blumenthal. Set decorators Walter M. Scott and Joseph Kish put antique guitars, paintings, and other aged props.
Composer Kenyon Hopkins' forlorn Country folk plucks away sorrowfully in the background. Sound designer Dick Vorisek and Eugene Grossman focus on the patter of the rain or footsteps crunching on twigs. Costume designer Anna Hill Johnstone makes everyone look so natural in rustic clothes. Makeup artist Ben Nye and Helen Turpin's hairstyling is very nice. Lee Remick looks incredible.
In short, Wild River is a quiet slow burn of fiery passion and hardened feelings.
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