Världens vackraste pojke

2021 [SWEDISH]

Biography / Documentary / History

12
Rotten Tomatoes Critics - Certified Fresh 78% · 55 reviews
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 6.8/10 10 2290 2.3K

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Plot summary

In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.

Director

Top cast

Dagny Erixon as self, Björn Andrésen's grandmother
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903.6 MB
1280*572
Swedish 2.0
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23.976 fps
1 hr 38 min
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1.81 GB
1920*858
Swedish 5.1
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1 hr 38 min
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862.79 MB
1280*534
Swedish 2.0
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25 fps
1 hr 34 min
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1.73 GB
1920*800
Swedish 5.1
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1 hr 34 min
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Movie Reviews

Reviewed by CinemaSerf 7 / 10

If there ever were to be a story

If there ever were to be a story of not just how transitory beauty is, but of how shallow too - then it has to be this documentary film. Kristina Lindström starts us off in the grubby and filthy apartment of Björn Andrésen. His neighbours are threatening to have him evicted if he doesn't up his game... Who is he and why should we care? Well we are quickly taken back fifty years to auditions held by Luchino Visconti for his soon to be made "Death in Venice". He is looking to cast the part of "Tadzio" - the stunningly beautiful, angelic, young man who turns the head of just about everyone in this most romantic of cities - but especially that of Dirk Bogarde's "Gustav von Aschenbach". What now ensues is a tale of a young man who must learn quickly to deal with the discipline and adulation of fame; but also with it's fickleness and with the troughs that always follow the all-too-brief moments of joy and celebrity. Let's just say that this young man didn't have his tragedies and battles to seek as he aged and this film portrays honestly, though not unsympathetically, as he learned to cope and is still trying to cope now. It features plenty of archive actuality to give the narrative gravitas and authenticity - and offers a salutary warning about the volatility of life in and after a bright, bright spotlight.
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Reviewed by kitteninbritches 4 / 10

Not a complete picture of the real man

There isn't that much written about Bjorn Andresen and not many interviews that I've read but I formed the impression that after making Death in Venice ( a film I love and have watched many times) he became what they call these days "entitled" and assumed because he'd been lucky enough to land the role of Tadzio (which didn't call for much in the way of acting ability,) the rest of his career should have been one long success. This didn't happen though he has had a number of acting roles during his adult life, details of which were hardly mentioned. I got the impression this change to semi obscurity left him resentful. I've met him several times and this impression was borne out. This unflattering aspect of his character was never explored, in case sympathy was lost I suppose. Although for some reason the row with his much younger girlfriend on the phone did give a glimpse of it!

The film was also very unbalanced, a few seconds view only of the famous film and Venice itself, nothing at all of the beautiful Hotel des Bains where it was set and far far too much time spent on his time in Japan. Very little said about his marriage, which ended after (I originally understood) to be the "cot death" of his younger child but in fact according to him, occurred because he passed out on the child while sharing a bed with him through intoxication. There seemed a distance between himself and his grown up daughter too though they were friendly. In fact I wonder whether this emotional detachment is a feature of the Swedish character and a reason why they seem to find relationships difficult to maintain. So I remain unconvinced that the Death in Venice experience as it were paved the way to a later unsatisfactory life, via exploitation etc. It played its part by raising expectations, but any unsatisfactoriness in later life must be mainly attributed to the kind of person Bjorn is.

I was interested to see he has a sister, something I've never till now heard mentioned, and that his mother was much more present in their younger lives than I'd realised. Yes, an intrinsically flawed personality albeit of an intelligent and not untalented man. I don't think we can blame Death in Venice for that.

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