Une corde un Colt...

1969 [ITALIAN]

Drama / Western

5
Rotten Tomatoes Audience - Spilled 50% · 50 ratings
IMDb Rating 6.6/10 10 2785 2.8K

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Plot summary

A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.

Director

Top cast

Simón Arriaga as Rogers Ranch Hand
Lorenzo Robledo as Rogers Ranch Hand
Robert Hossein as Manuel
Daniele Vargas as Will Rogers
720p.BLU 1080p.BLU
834.48 MB
1200*720
English 2.0
Not Rated
23.976 fps
1 hr 30 min
Seeds ...
1.51 GB
1800*1080
English 2.0
Not Rated
23.976 fps
1 hr 30 min
Seeds 4

Movie Reviews

Reviewed by John Chard 8 / 10

The Black Glove Man. Une corde, un Colt

The Black Glove Man. Une corde, un Colt (AKA: Cemetery Without Crosses) is directed by Robert Hossein, who also stars and co-writes the screenplay with Dario Argento and Claude Desailly. Starring alongside Hossein are Michèle Mercier, Anne-Marie Balin, Daniele Vargas, Guido Lollobrigida and Serge Marquand. Music is by Andre Hossein and cinematography by Henri Persin. After being forced to watch the lynching of her husband by the ruthless Rogers family, Maria Caine (Mercier) asks her inept brothers-in-law for help in retribution. Getting no joy from the pair, she seeks outside help in the form of fast gun Manuel (Hossein), a loner living in solitude out at a ghost town... It's dedicated to Sergio Leone, who directs one of the best scenes in the film, contains the Argento factor, so it's not really a shock to proclaim that Leone's influence is all over Hossein's movie. It's a Pasta Western that operates in the void between the real and the spirit world, deliberately ethereal in tone, even sprinkling dashes of the surreal onto the hearty portion. Dialogue is used sparingly, but not to the detriment of films quality, and Hossein the director dallies in black and white staging, slow zooms and excellent usage of sound effects. Much like the dialogue, the violence is pared down, there's no Blunderbuss infused blood laden approach to the evil that men do here, it's all very controlled and in keeping with the tonal flows that Hossein favours. The cliché's of the sub-genre are adhered to throughout, thankfully so, while the finale is suitably melancholic. Thoughtful, sombre and ripe with blurry ambiguity, Cemetery Without Crosses is comfortably recommended to the Euro Western fan. 8/10
Reviewed by Wuchak 5 / 10

***Moody, serious, proficient but flat Spaghetti Western by

***Moody, serious, proficient but flat Spaghetti Western by Robert Hossein*** An ex-gunfighter living in a ghost town in the Southwest (Robert Hossein) decides to assist the wife (Michèle Mercier) of a friend that was unjustly lynched by the rough ruling family of the area, the Rogers. “Cemetery without Crosses” (1969) is a Euro Western (French / Italian / Spanish) originally titled “A Rope… a Colt…” (translated). Director/writer/star Robert Hossein was admittedly inspired by Sergio Leone and you can see the influence of “For a Few Dollars More” (1965). Speaking of which, one of the best scenes in the movie, the amusing dinner sequence at the Rogers’ ranch, was guest-directed by Sergio Leone. This is a competent Spaghetti Western with a quality score, the usual Spanish locations and a good cast with three beautiful women (Mercier, Anne-Marie Balin & Béatrice Altariba). I like the serious tone, the ambiance and attractive cinematography, but it’s too flat of an experience, disregarding the dinner scene. Simply put, it becomes one-dimensional and tedious as it moves along. “The Hellbenders,” aka “The Cruel Ones” (1967), was less proficient, but at least it entertained. “Doc” (1971) is a good comparison, but it had a superior cast and way more perks. Even “Navajo Joe” (1966) is more memorable IMHO. But if you like Euro Westerns give it a try. Some cinephiles rave about it. The film runs 1 hour, 30 minutes, and was shot in Almería, Andalucía, Spain. GRADE: C+/B-
Reviewed by ma-cortes 7 / 10

Well developed Paté/Spaghetti Western co-produced by France/Italy and shot in Almeria , as usual .

This is a violent , beautifully crafted as well as exaggerated Spaghetti and packs taciturn acting on cynical characters with bloodbaths including high body-count , sense of style and elaborate narration . It pits ¨Man with no name¨ against two families that are feuding between them , the Rogers and the Caine . As a gunslinger (Robert Hossein) saves the damsel in distress who is also his former flame (Michelle Mercier) and at the same time she is seeking revenge for death her husband . The gunman join forces with the widow pitting the nasty family who uses twisted means to chase them and it terminates in a deadly feud . The pistolero kills various bandits in a gunfight at the saloon , then he is detained and imprisoned by the sheriff . Later on , there takes place kidnapping , killings , street shootouts at a ghost town and tragic events .This classic Western titled ¨Une Corde, Un Colt..." or "Cemetery Without Crosses" or "The Rope and the Colt" contains slow and deliberating filming , elaborate shoot-outs , and portentous close-ups of grime-encrustred faces with heinous bloodbaths included . It is a strange , slow-moving and almost utterly visual picture with some surprises and well paced . Robert Hossien stars as a leather-clad gunfighter and wearing black glove , drawn into a dramatic facing off between two revengeful families . Hossein plays a drifter similarly to Clint Eastwood's ¨Man with no name¨ from ¨A fistful of dollars¨ and ¨For a fistful of dollars more¨. Fine support cast formed by Italian/French actors , all of them customary Spaghetti such as Guido Lollobrigida or Lee Burton , Daniele Vargas , Serge Marquand , Benito Stefanelli and Ivano Staccioli . Special mention to Michele Mercier as attractive as well as vengeful widow .This is a well-made French/Italian production , in spite of , there appears usual Spanish secondary players from Paella/Ravioli Western , mostly uncredited , such as Simón Arriaga , José Canalejas , Álvaro De Luna , Charly Bravo , Cris Huerta , Lorenzo Robledo and Angel Alvarez as a Barman likeness to his role in Django . Unforgettable and terrific original music by André Hossein , in Ennio Morricone style , including a catching leitmotif , one of the best of Spaghetti . Worn-out cinematography by Henry Persin , being necessary a nice remastering because of the colors are faded. This stylish , violent , laconic Western was very well shot by Robert Hossein and is dedicated to Sergio Leone , who made one of the more important scenes . Hossein did revive his career almost instantly on the strength of this film through the main role and filmmaking . Director Robert Hossein claims that Dario Argento was not involved in writing the screenplay with perhaps not more than two dozen lines of dialog ; Dario Argento is listed in the credits on the Italian and German versions but not on the French version . Robert Hossein said that the dinner scene at the Rogers house was directed by Sergio Leone. Rating : Better than average Spaghetti Western .
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