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2025

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Undergods

2020

Action / Drama / Fantasy / Sci-Fi / Thriller

Undergods

2020

Action / Drama / Fantasy / Sci-Fi / Thriller

Available in: 720p.BluRay 1080p.BluRay 720p.WEB 1080p.WEB

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84% TOMATOMETER · 37 reviews

40% AUDIENCE

5.4/10 · 1.8K

720p.BluRay 1080p.BluRay 720p.WEB 1080p.WEB

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Plot summary

An otherworldly journey through a Europe in decline - a collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune.

Director

Chino Moya

Top cast

Tanya Reynolds as Maria

Tim Plester as Ezequiel

Burn Gorman as Tim

Kate Dickie as Rachel

Tech specs

720p.BLU 1080p.BLU 720p.WEB 1080p.WEB

843.29 MB

1280*534

English 2.0

Subtitles

24 fps

1 hr 31 min

Seeds 1

1.69 GB

1920*800

English 5.1

Subtitles

24 fps

1 hr 31 min

Seeds 2

842.8 MB

1280*528

English 2.0

Subtitles

23.976 fps

1 hr 31 min

Seeds ...

1.69 GB

1904*784

English 5.1

Subtitles

23.976 fps

1 hr 31 min

Seeds 2

Comments 5

bono86 1891 days ago

@ladirection2 at least they're not Xenophobic...

gudjo 1909 days ago

si alguien encuentra subtitulos en español los comparte porfa !!

4inchsteel 1909 days ago

Is there something wrong with Rambo VI?

ladirection2 1909 days ago

Beautiful, but probably just boring and pretentious like most euro sci fi films.

f2000ye 1986 days ago

even the trailer is boring....

Showing 5 of 5 threads

IMDb reviews

From IMDb

1 / 10

I'm not sure why I finished the movie

Kyle U

I'm not sure why I finished the movie.

10 / 10

The film is more than a cinematic work

Ali G.

The film is more than a cinematic work; it is the visual incarnation of a nightmare that the philosophers of history and psychoanalysts of the twentieth…

The film is more than a cinematic work; it is the visual incarnation of a nightmare that the philosophers of history and psychoanalysts of the twentieth century, each in their own tongue, had warned of. In this gray dystopia, we confront ruins that seem to have been promised by Spengler in The Decline of the West: the winter season of civilization, where the Faustian spirit has reached the end of the line, leaving behind only a cold, bureaucratic corpse of the "City." If Aristotle considered man a "political animal" whose telos is realized in the polis, the citizens of this film are metamorphosed animals for whom politics is not a realm of virtue, but a battlefield for survival. Here, the "City" is no longer that safe haven Plato delineated in the Republic; rather, it is a labyrinthine cave with no exit, whose inhabitants have forgotten even the desire to see the sun. The shadows on the wall are not images of truth, but the hallucinations of a sick mind. The film's nested narrative recalls Freud's concept of the Unheimlich (the uncanny); the home is no longer a sanctuary, but a wellspring of dread. Characters in these dilapidated apartments seem to have merged with their "Shadow," of which Jung spoke, drowning in the collective unconscious of a failed civilization. But the most terrifying aspect of the matter must be sought in the work's political theology. If Augustine viewed human history as a battle between the "City of God" and the "City of Man", in Undergods, the City of God has evaporated, and what remains is an earthly hell where even amor sui (love of self) - the motive force of the earthly city - has transformed into self-loathing. This world is the world after Hegel's "end of history," yet not that end which promised freedom, but the end of dialectics and the onset of pure stasis. The human subject here is Heidegger's Dasein, literally "thrown" into being (Geworfenheit), yet contrary to Heidegger's expectation, it finds no possibility for "poetic dwelling"; technology and bureaucracy have devoured its Being. This decay can perhaps be considered the most precise depiction of Husserl's "Crisis of European Sciences," where the Lebenswelt (life-world) has been crushed beneath the feet of instrumental logic. And finally, it is Eric Voegelin who perhaps provides the best key to understanding this necropolis: the triumph of a type of modern Gnosticism which, by denying transcendent reality and attempting to "immanentize the eschaton," has created an order where, in the absence of God, demons (or the very Undergods) have ascended the throne. This film is a mourning for humanity in the age of the eclipse of the sacred. In order to Understand the Deep Message of Undergods (2020) via St. Augustine’s The City of God I suggest you to listen to this podcast: youtu.be/LRGUsq3Jjn0

9 / 10

Brazil without icing. Or maybe even cake

Bob

Brazil without icing. Or maybe even cake.

More reviews on IMDb

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