Un chien andalou (1929) YTS - Download Yify Movie

Reviewed by Dsnake1 5 / 10

Nothing. Something. Anything. Meh. I think I understand

Nothing. Something. Anything. Meh. I think I understand why so many people are into this film, and I do understand why it's so influential. The thing is, I'm not sure I care about any of that. Yeah, surrealism. So it's something. Or it's not something. Or it's anything. Or really, it's nothing. To me, it's meh. It's not bad, and I can't say it was nearly a waste of my time. Coming in at just over a quarter of an hour, I've spent longer watching the last two minutes of a basketball game when I didn't even care about who won. While I don't think it was a waste of my time, it didn't really add anything to my day, either. Maybe I'll have to come back and review this if the film sticks with me, but I can't imagine this will do so. It's not my first experience with surrealism, and I'm certainly not the type to ponder of the concept for hours, especially not recently. I'd also argue that this film does nothing to provoke thought on its own. It might be a guiding point to long sessions of thought regarding existence and meaning, but I'm not sure how many people would get there without reading up on the film and surrealism at the least. So, ultimately, meh.

Reviewed by ma-cortes 7 / 10

Surrealist as well as disturbing short movie with strange scenes , unsettling nightmares and shocking imagery

This famous film starts in a dream-like sequence, a woman's eye (a cow's eye was actually used) is slit open and juxtaposed with a similarly shaped cloud obscuring . After that , there take place several bizarre events such as a man has a hole in the palm from which ants emerge , it is shown literally ; later on , a man pulls a piano along with the tablets of the Ten Commandments and a dead donkey and two priests being dragged with the piano (a priest is Salvador Dalí) ; a woman pokes at a severed hand in the street with his cane (legend has it that the severed hand used in the street scene was a real hand, and Dali convinced a man to cut it off in exchange for enough money to buy lunch) , among others .Abstract film that marked strong polemic in the epoch when it was realised , especially its sliced eyeball at the beginning , and still packs a punch even nowadays . In fact , at the Paris premiere, Luis Buñuel hid behind the screen with stones in his pockets for fear of being attacked by the confused audience . After editing the feature , Luis Buñuel and Salvador Dalí didn't know what to do with it , as an acquaintance introduced Buñuel to Man Ray, who had just finished Les Mystères du château Dé and was looking for a second film to complete the program , the two movies premiered together at the Studio Ursulines ; it made a deep impression on the Surrealist Group, who welcomed Buñuel into their ranks . The movie contains several references to Federico García Lorca and other writers of that time . The rotting donkeys are a reference to the novel "Platero y yo" by Juan Ramón Jiménez, which Luis Buñuel and Dalí hated . In 1960, a soundtrack was added to this film at the direction of Luis Buñuel , he used the same music which was played , using phonograph records , at the 1929 screenings-extracts from "Liebestod" from Richard Wagner's "Tristan and Isolde" and two Argentinian tangos. This rare short belongs to Luis Buñuel's first period and has been voted as one of "The 25 Most Dangerous Movies" . After moving to Paris , Buñuel did a variety of film-related odd jobs , including working as an assistant to director Jean Epstein . With financial help from his mother and creative assistance from Dalí, he made his first film , this 17-minute "Un Chien Andalou" (1929), and immediately catapulted himself into film history thanks to its disturbing images and surrealist plot . The following year , sponsored by wealthy art patrons, he made his first picture , the scabrous witty and violent "Age of Gold" (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career . That career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War , where he made ¨Las Hurdes¨ , as Luis emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros . He subsequently went on his Mexican period with "The Great Madcap" , ¨Los Olvidados¨ , ¨The brute¨, "Wuthering Heights", ¨El¨ , "The Criminal Life of Archibaldo De la Cruz" , ¨Robinson Crusoe¨ and many others . And finally his French-Spanish period with notorious as well as polemic films such as ¨Viridiana¨ , Tristana¨ , ¨The Discreet Charm of the Bourgeoisie" and his last picture , "That Obscure Object of Desire" .

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Un chien andalou

1929 [FRENCH]

Fantasy / Horror

Un chien andalou

1929 [FRENCH]

Fantasy / Horror

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Nothing. Something. Anything. Meh. I think I understand

Surrealist as well as disturbing short movie with strange scenes , unsettling nightmares and shocking imagery

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