Ukigusa monogatari

1934 [JAPANESE]

Action / Drama

9
Rotten Tomatoes Critics - Certified Fresh 100% · 7 reviews
Rotten Tomatoes Audience - Upright 84% · 250 ratings
IMDb Rating 7.6/10 10 3863 3.9K

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Plot summary

An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.

Director

Top cast

Emiko Yagumo as Otaka
Nagamasa Yamada as Maako, an actor
Reikô Tani as Tomibo's father
720p.WEB 1080p.WEB
792.84 MB
956*720
No linguistic content 2.0
Not Rated
23.976 fps
1 hr 26 min
Seeds 1
1.59 GB
1424*1072
No linguistic content 5.1
Not Rated
23.976 fps
1 hr 26 min
Seeds 8

Movie Reviews

Reviewed by CinemaSerf 7 / 10

When a troupe of entertainers arrive in a

When a troupe of entertainers arrive in a small town after a four-year absence, "Kihachi" (Takeshi Sakamoto) is hoping to reunite with his now adult son "Shinkichi" (Kôji Mitsui). Snag? Well his mother - and the erstwhile mistress of our circus master - "Otsune" (Chôko Iida) has brought the lad up believing that his father was a successful civil servant, as that he is dead! Now to be fair to "Kihachi", though he did not hang around and be a traditional father - his lifestyle could not have supported that - he has provided for his son by funding his schooling which has seen the young man recently graduate and so looking at a promising, professional, future. Though hardly ideal, things with this family are settled. Until, that is, "Otaka" (Emiko Yagumo) finds out their secret. She is the current lover of "Kihachi" and a fellow entertainer - and she's pretty livid. Revenge? Well she concocts a plan to engage a young colleague "Otoki" (Yoshiko Tsubouchi) to ensnare the young "Shinkichi" so she can ruin his reputation and cause maximum distress to his parents. What nobody really counts on is that "Shinkichi" is in many ways wiser than his years, and when he and "Otoki" really do start to fall in love, consternation on all fronts ensues and tempers flair before truths emerge and... On the face of it, this sounds a little like a soap opera. What Yasujirô Ozu does here though, is imbue the characters with a degree of personality. We feel, watching, that we too have skin in their game as the manipulation and lies are countered by decency and, dare I say it, true love - and not always where you expect it. It looks great, the photography is frequently intense without being in your face and the sound-track add a richness to the humanity of this story that really does make it engaging to watch. I saw this recently on a big screen in London, and it was captivating.
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Reviewed by Andy-296 8 / 10

One of Ozu's best silents

Warning: Some plot points are revealed in this review

One of the last silent films by Japanese master Yasujiro Ozu (later remade by Ozu himself in in color in 1959) is about a traveling kabuki troupe arriving to a small town in Japan. The troupe's leader, Kihachi (Takeshi Sakamoto) uses the occasion to meet his old lover and their grown son (who believes Kihachi is his uncle), but his current lover Otaka (pretty, ethereal Rieko Yagumo) does not appreciate this when she learns about it, so she convinces a fellow actress of the troupe to seduce Kihachi's son. Kihachi, obviously, doesn't react well either when he learns about this. Reportedly, Ozu based this film on an American film from 1928 called "The Barker".

There are few differences from the 1959 remake. For instance, here the kabuki troupe arrives to a mountain town in a train, instead of arriving to a coastal village by boat. Secondary characters are less shown. But mostly, both films are very similar, almost scene by scene, including the famous part where they are shouting over each other across a rainy street or the finale with Kihachi and his now reconciled lover drinking sake in the night train. The actor playing Kihachi, though, is about two decades younger than Ganjiro Nakamuro in the 1959 version.

Overall, this movie is not, in my opinion, as accomplished as the remake, but is still very well worth seeing, and one of the highlights of Ozu's silent films.

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