Trois vies et une seule mort

1996 [FRENCH]

Action / Comedy / Crime / Fantasy / Mystery

6
Rotten Tomatoes Critics - Certified Fresh 70% · 10 reviews
Rotten Tomatoes Audience - Spilled 58% · 250 ratings
IMDb Rating 6.8/10 10 1718 1.7K

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Plot summary

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

Director

Top cast

Anna Galiena as Maria Gabri-Colosso, "Tania la Corse"
Nanni Moretti as (uncredited)
Marcello Mastroianni as Mateo Strano / Georges Vickers / Butler / Luc Allamand
Melvil Poupaud as Martin
720p.BLU 1080p.BLU
1.13 GB
1204*720
French 2.0
13
Subtitles us  
23.976 fps
2 hr 5 min
Seeds 2
2.32 GB
1792*1072
French 5.1
13
Subtitles us  
23.976 fps
2 hr 5 min
Seeds 8

Movie Reviews

Reviewed by s r 5 / 10

1001 movies to see before you die. I

1001 movies to see before you die. I started this one with a family member and we were both interested despite skepticism regarding the quality of the filming; it felt like a tv show. It had an interesting plot that bordered on fantasy. However this all changed a little later as other characters were introduced and our interest waned. It became tedious and harder to follow / care. Regardless, I give it credit for what it tried to do, but I don't plan to see it again. It was on youtube.
Reviewed by R T 8 / 10

Another great director I missed at the time

Another great director I missed at the time. Chilean expat Raul Ruiz' take on multiple personality disorder - incredibly playful, often surreal - as if Luis Bunuel and Chris Marker had decided to do a remake of The Three Faces of Eve. Who needs Hollywood?
Reviewed by William L 6 / 10

A series of interconnected, fantastical parables based on

A series of interconnected, fantastical parables based on folklore, Three Lives and Only One Death is so convoluted and branching in its overarching narrative and particularly fast-paced in its tempo that you can't help but enjoy it based on the virtue of variety alone. Oftentimes, the film requires your full attention in order to keep the order of the crossed wires across the four narratives accurate (particularly since Mastroianni's role varies between each of the stories) and the occasional reliance on wordplay; however, it is still a rather creative design and an interesting experience. The stories delve into an almost Twilight Zone-esque style at points, emulating the occasionally maddening nature and the horror associated with sudden, profound change in one's lifestyle. Being unfamiliar with Ruiz's body of work, this is a film that will teach you as a viewer to avoid being set in expectations of plot when he has control of the pen. Unlike many accomplished actors of later years when the entered the later stages of their careers, Mastroianni was not satisfied with simply carrying on based on the strength of his name alone, continuing to involve himself in interesting films up until his last project. (3/5)
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