★ 6 / 10
This time it's Burgess Meredith's turn to compere
CinemaSerf
This time it's Burgess Meredith's turn to compere a compendium of four horror stories set around his fairground attraction. He charges each of four people £5…
This time it's Burgess Meredith's turn to compere a compendium of four horror stories set around his fairground attraction. He charges each of four people £5 for entry to a secret part of his exhibit where he promises them something portentous that they will never forget. Behind the curtain lies what appears to be a life-size doll - the Fate Atropos - and each learns of a tale that tears down their façade of respectability that these two men and two women have hitherto presented. The segments themselves are short, sweet and though maybe all just a bit predicable (usually the way when there's some moralising afoot) there are still some decent performances from the likes of Peter Cushing, Jack Palance and John Standing to keep these character assessments - and just desserts - interesting. My favourite was the first segment with a brief appearance from Maurice Denham's "Uncle Roger" and an "Azazel" style, malevolent, cat - but the others all have their foreboding messages to deliver too. The production is all standard fayre, it's a bit over-scored and there is certainly a surfeit of dialogue at times, but it's still quite a fun 'Tales of the Unexpected" style series of mysteries that I did quite enjoy.
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★ 7 / 10
A decent quartet of terror tales.
Hey_Sweden
"Torture Garden" is, overall, a fun if unexceptional horror anthology from Amicus, a company that specialized in that sort of thing for a number of years. With…
"Torture Garden" is, overall, a fun if unexceptional horror anthology from Amicus, a company that specialized in that sort of thing for a number of years. With a screenplay written by Robert Bloch of "Psycho" fame, and efficient direction by Freddie Francis, it's unfortunately a little uneven. It's divided into four segments, and segments two and three aren't quite as punchy, and more amusing than anything; segment one, which is rather leisurely paced, would have been better off as the third in the movie.
The ever wonderful Burgess Meredith is a sort of host for the proceedings, playing a sideshow personality named Dr. Diabolo, who takes various customers into his "torture garden" and places them in front of an exhibit that can foretell their futures, and see the darkness buried within each of them.
"Enoch" stars Michael Bryant as Colin, a man in need of money who thinks he'll get it from his dying uncle (Maurice Denham). After accidentally causing the old man's death, he discovers what kinds of secrets his uncle had been keeping, and they revolve around a spooky "cat" that will develop a powerful hold on him. This is interesting and atmospheric stuff, with a great denouement and enjoyable shock moments.
In "Terror Over Hollywood", cunning and ambitious young actress Carla (Beverly Adams) manages to make the acquaintance of some power players in the business, including veteran star & producer Bruce Benton (Robert Hutton). She soon finds out that there's a reason why Benton and company are able to maintain a facade of youth. This leads to a real hoot of a revelation, which gives this episode its element of "horror".
"Mr. Steinway" is definitely something different: the only story this viewer has seen that can claim to be a love triangle between a journalist, Dorothy (Barbara Ewing), a star pianist, Leo (John Standing), and Leo's piano. Yup, a musical instrument. This is rather cheesy stuff, and entertaining, but hardly scary.
Peter Cushing and Jack Palance star in "The Man Who Collected Poe", about two men obsessed with the legendary author. Ronald Wyatt (Palance) is determined to find out everything that he can about just what kinds of things Lancelot Canning (Cushing) is hoarding. As it turns out, Lancelot truly has the treasure to beat them all. At least we can say that this movie ends with the best story of the bunch.
Taken as a whole, the movie is enjoyable for horror fans, although it is somewhat plodding and has its ups and downs. The top notch cast makes it a worthy viewing; John Phillips, Michael Ripper, Bernard Kay, David Bauer, Niall MacGinnis, Hedger Wallace, Clytie Jessop, and Timothy Bateson also appear. It's also noteworthy for having American stars (Palance and Meredith) be top billed. It's not the best of the Amicus anthologies, but it's not bad at all either.
Seven out of 10.
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Seeds please, need just a little to complete 100%