Toda-ke no kyôdai

1941 [JAPANESE]

Action / Drama

11
Rotten Tomatoes Audience - Upright 86%
IMDb Rating 7.2/10 10 1681 1.7K

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Plot summary

After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.

Director

Top cast

Hideo Fujino as Shintaro Toda
720p.BLU 1080p.BLU
961.54 MB
946*720
Japanese 2.0
U
Subtitles us  
23.976 fps
1 hr 44 min
Seeds 1
1.74 GB
1408*1072
Japanese 2.0
U
Subtitles us  
23.976 fps
1 hr 44 min
Seeds 2

Movie Reviews

Reviewed by R T 7 / 10

The surprising thing about "Toda Family" is just

The surprising thing about "Toda Family" is just how much it foreshadows Ozu's later themes and his greatest masterpieces. For example, the plot here depicts how a grandmother and her youngest daughter are passed from the various households of her adult children when the patriarch/grandfather has died. None of them treat their own mother/mother-in-law with respect and she ends up living in the family's dilapidated villa near the seaside. Shades of Tokyo Story, right? But although the plot feels so Ozu-like, his style has not fully congealed into what we are familiar with in his classic films of the late forties and fifties. Yes, the camera is often seated on the tatami mat with us and people speak directly into the camera in shot-countershot patterns. Also, Ozu's still life shots that punctuate scenes showing nearby vistas or that show a room or hallway before or after a character enters/departs are already here (and often beautiful). But the settings and the milieu are the dwellings of the rich (not Ozu's usual middle class group) and the camera occasionally presents things in un-Ozu-like fashion (it is hard to explain but you will know, if you know Ozu). Moreover, as David Bordwell has pointed out, Ozu seems to have more patriotic fervour (this is 1941) than we expect of him - the "good son" (who first seems like a neglectful rogue), played by Shin Saburi, moves to China and declares how good it is and how you can do whatever you want. He also scolds his bourgeois brothers and sisters for their failure to work and contribute to society. Bordwell suggests that Ozu was just trying to get along in a film industry and society dominated by censorship at the time (much as Mizoguchi did with his jidai-geki films) but it feels a little unsettling. Ozu would find his groove after the war and reach the highest echelons of film-making.
Reviewed by

Reviewed by AlsExGal 8 / 10

Japanese domestic drama courtesy of Shochiku...

...and director Yasujiro Ozu. When the patriarch of a wealthy and respected family dies suddenly, his children are shocked to learn that he was secretly deeply in debt. They are forced to sell off his property and belongings to pay off this debt, which unfortunately leaves their mother (Ayako Katsuragi) and youngest, unmarried sister Setsuko (Mieko Takamine) without a place to live. The various brothers and sisters take them in, but personality clashes and selfish behavior finds the two women shuffled from one place to the next.

Ozu's strict, regimented filming technique is in full effect here, with cameras set low and at a distance, rarely moving within a scene, and very little music used to score. The performances are all low key, and much of the dialogue is seemingly banal banter. But there is a lot of roiling emotion suppressed in these characters, and it boils up on occasion to moving effect, although never in a loud or hysterical way, as in a more westernized movie. Shin Saburi is a stand-out as the black sheep brother who lives far away but brings harsh truths to the forefront during his infrequent visits. One aspect of the story that is sad in hindsight is when a character rhapsodizes about what a prosperous future they will have working in China, as this was made during the Japanese occupation. That didn't work out so well for the Japanese, or the Chinese for that matter. Recommended.

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