This Much I Know to Be True

2022

Action / Documentary / Music

7
Rotten Tomatoes Critics - Certified Fresh 100% · 39 reviews
Rotten Tomatoes Audience - Upright 95%
IMDb Rating 7.6/10 10 2117 2.1K

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Plot summary

Like all musicians in 2021, Nick Cave was unable to connect with his audience in person. He uses this concert film to break the vocal and instrumental silence, talk about himself and perform songs from “Ghosteen” and “Carnage”, with help from Warren Ellis.

720p.WEB 1080p.WEB
969.11 MB
1280*890
English 2.0
M
Subtitles us  de  es  fr  it  nl  pt  tr  
24 fps
1 hr 45 min
Seeds 4
1.76 GB
1552*1080
English 2.0
M
Subtitles us  de  es  fr  it  nl  pt  tr  
24 fps
1 hr 45 min
Seeds 11

Movie Reviews

Reviewed by tmdb28039023 6 / 10

Quite a bit of This Much I Know

Quite a bit of This Much I Know to Be True happens in a soundstage. Inside that soundstage is what can be described as a literal circle of light. Within that circle, Nick Cave is the somewhat reluctant center of attention. Reluctant because even though it’s Cave’s face on the poster, the film aims to capture the work of a partnership whose other half is Warren Ellis. On paper, it’s not an equal association; Cave writes the lyrics and co-writes the music, plays keyboards, and sings lead vocals — he’s the clean shaven face of whichever collective he and Ellis are part at any given time (either the Bad Seeds, Grinderman, or as a duo), while the scraggly Ellis hovers around Cave like a satellite. Except that the multi-instrumentalist Ellis does a lot more than hover around, and perhaps a tacit goal of this documentary is to pay some well deserved attention to Ellis’s role(s) in the band — and this is a part of the spotlight that Cave surely does not begrudge. Cave is the antithesis of a rockstar — an unassuming intellectual that sees himself as "as a person ... As a husband, and father, and friend, and citizen that makes music and writes stuff," as opposed to a performer first and foremost, although he remains a born entertainer as well as a mesmerizing raconteur. Cave hasn’t aged a day in the eight years since 20,000 Days on Earth (I have yet to watch 2016’s One More Time with Feeling). He seems to have found the Fountain of Eternal Sinewy Wiriness (guest artist Marianne Faithfull, on the other hand, somehow looks bloated and brittle at the same time, which is bad, though her voice is as raggedy — if not more — as ever, which is good). Equally intact are his restless spirit, animal magnetism, and seemingly endless charisma. Now, This Much... is a follow-up to Once More..., both directed by Andrew Dominik. 20,000 Days... had a different director with a different approach (and is brilliant in its own right), and yet there is a progression here that can be traced all the way back to 20,000 Days... In that movie, Cave espoused a songwriting philosophy that went from the dyonisian to the apollonian — from chaos and anarchy to an aesthetically pleasing, though by no means conventional, organized structure. In This Much..., this creative process, this artistic method, becomes an encompassing worldview.
Reviewed by

Reviewed by garethcrook 7 / 10

Captivating

A performance documentary capturing songs from Nick Cave and Warren Ellis' last two albums together. This is mostly performance, but with the occasional behind the scenes interlude. It helps if you're interested in Cave and interested in listening to him talk. Even if you're not that into what he's talking about. He's a compelling narrator. If you just like the music though, fear not that's what this delivers best. Cave is a dark philosopher, drawn to religion, icons, the devil, people. Some paranoid idiots would probably think this makes him dangerous in a 1980s we must save the children kind of way. To hear him talk though, he's all about understanding, compassion and connection. He's brutally honest, open and sincere. Talking about finding himself in a happier place, with meaning to his life. It's all laid bare. The songs are captured in a grand sparse room, the pair, some backing singers, some lighting, but never more than is needed. It echos the delicateness of the songs from Ghosteen especially. It's all very pure. It's never going to replicate the magic of being in a room with Cave and Ellis, but the fact that it gets close is testament to director Andrew Dominik's work. For me though, as much as I love Cave, I adore Ellis. It's the interview clips with him that feel revelatory. He's untethered, a wild force of artistic beauty. The magic they conjure between them though is incredible and getting a sense of how that comes to pass is wonderful. The Ghosteen songs are largely slower, sombre sounding, mournful and hopeful. There's a catharsis in the music, I'm sure for Cave, certainly for me and it's interesting to hear them collected with some of the more swaggering songs from Carnage. A must see for any music fan.

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