The Turning Point

1977

Action / Drama / Music / Romance

8
Rotten Tomatoes Critics - Certified Fresh 63% · 27 reviews
Rotten Tomatoes Audience - Upright 67% · 2.5K ratings
IMDb Rating 6.8/10 10 5636 5.6K

oklahoma city infidelity new york city jealousy midlife crisis ambition

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Plot summary

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

Director

Herbert Ross Photo
Herbert Ross

Top cast

Tom Skerritt Photo
Tom Skerritt as Wayne
Shirley MacLaine Photo
Shirley MacLaine as Deedee
Leslie Browne Photo
Leslie Browne as Emilia
Anne Bancroft Photo
Anne Bancroft as Emma Jacklin
720p.BLU 1080p.BLU
1.03 GB
1280*700
English 2.0
PG
Subtitles
25 fps
1 hr 54 min
Seeds 3
1.9 GB
1904*1040
English 2.0
PG
Subtitles
25 fps
1 hr 54 min
Seeds 9

Movie Reviews

Reviewed by tmdb76622195 8 / 10

The year 1977 was very good for director

The year 1977 was very good for director Herbert Ross. Not only did Ross direct this film, which was nominated for eleven Academy Awards, but he also helmed "The Goodbye Girl," which received five nominations. Out of the twenty acting nominees that year, seven were from two of his films. If you love ballet, you will love "The Turning Point." If you have flashbacks to your little sister's bit part in "The Nutcracker" the same way military veterans flashback to combat, you might still like "The Turning Point." Deedee (Shirley MacLaine) is a former dancer now running a ballet school with her husband Wayne (Tom Skerritt) in Oklahoma City. The American Ballet Company comes through, and Wayne and Deedee reunite with all their old friends and rivals- both ingredients can be found in Emma (Anne Bancroft). Emma and Deedee competed for the same part back in the day, but Deedee ended up pregnant and Emma went on to be a star of the company. Deedee, however, gave birth to Emilia (Leslie Browne), who is now a supreme dancer in her own right. She joins the company, and Deedee and Emilia move to New York City for a summer. Childless Emma makes herself Emilia's surrogate mom, and Deedee finds herself in the arms of old crush Rosie (Anthony Zerbe), never living the life Emma lives. The two head for a collision course on the very night of Emilia's lead debut. While I am not a big ballet fan, I am a big fan of good acting. MacLaine and Bancroft nail their parts. Ross never lets one actress overshadow the other. Both of them are equally heroic and flawed, so the viewer cannot come down on one side or the other. Leslie Browne is hot and cold as Emilia, letting her great dancing speak for her character. Mikhail Baryshnikov is very effective in a clicheed role as the company horndog Yuri, who quickly beds Emilia. While Wayne is wishy-washy, we find out why at the end of the film, and Skerritt holds his own. As with "The Goodbye Girl," Ross directs with a vengeance, never letting the camera stop. He is not show-offy or pretentious, but he keeps things going at a fast clip, even the dance sequences. They do not run too long or too short, but are brief enough where you can still appreciate the pure athleticism of the performers. I have not been in awe of dancers like this since I sat through the original "West Side Story." Watch for a wonderfully edited sequence where a fantasy dance between Yuri and Emilia turns into the two making love, a perfect blend of cuts and musical accompaniment. I do complain that the film runs about fifteen minutes too long, and some closure with Deedee and Rosie would have been nice. "The Turning Point" is not everyone's cup of tea, but the actors and direction save it from being just another melodrama.
Reviewed by

Reviewed by CGMAETC 6 / 10

a ballerina's POV

As ballet movies go, this is one of the better ones. It really captures the essence of a company: the rising star, the oversexed male dancer, diva choreographers, budget-conscious artistic directors, and the unique sadness that is the aging ballerina. MacClain and Bancroft deliver their contrived dialog with expertise (even though it appears they did a lot of ADR because the dialog seems to be dubbed) and they handle their relative roles with ease. Bancroft plays the aging diva with perfect grandness and MacClaine is great as the regretful mother. I can overlook the fact that a summer-study student, no matter how brilliant she is (and the young lady here is a highly talented dancer) WOULD NOT get a lead, let alone a solo number in her first year, but the plot is a bit thin, yet it makes it's point: the grass is not always greener on the other side of the stage. The best part of this movie is the dancing, of course. Misha is poetry in tights, always exhilarating and breathtaking. Though the movie was made in the 70s, it still rings true today in the world of ballet.

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