The Talk of the Town

1942

Action / Comedy / Drama / Romance / Thriller

14
Rotten Tomatoes Critics - Certified Fresh 89% · 18 reviews
Rotten Tomatoes Audience - Upright 85% · 2.5K ratings
IMDb Rating 7.5/10 10 10163 10.2K

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Plot summary

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

Director

Top cast

Gino Corrado as Nightclub Waiter
William 'Billy' Benedict as Western Union Boy
Frank Mills as Townsman
Edward Hearn as Sergeant
720p.WEB 1080p.WEB
1.05 GB
1280*952
English 2.0
Approved
23.976 fps
1 hr 57 min
Seeds 4
1.95 GB
1440*1072
English 2.0
Approved
23.976 fps
1 hr 57 min
Seeds 16

Movie Reviews

Reviewed by John Chard 8 / 10

What is the law? It's a gun pointed

What is the law? It's a gun pointed at somebody's head. All depends upon which end of the gun you stand, whether the law is just or not. The Talk of the Town is directed by George Stevens and Stevens co-produces with Fred Guiol. It's adapted by Dale Van Every, Irwin Shaw and Sidney Buchman from a story by Sidney Harmon. It stars Cary Grant, Jean Arthur, Ronald Colman, Rex Ingram and Edgar Buchanan. Leopold Dilg (Grant), a radical and political thinking man, is accused of burning down a mill and causing the death of a foreman in the subsequent fire. On trial for his life, he decides to escape from jail and makes his way to the home of his school day friend Nora Shelley (Arthur). However, his timing couldn't be worse, for Nora has taken in a tenant for the summer, a law professor, Michael Lightcap (Colman). Passing him off as the gardener, Nora has to hope that Lightcap doesn't cop on to Dilg being an escaped prisoner. But with both men feeling each other out, and both having designs on Nora, something is going to have to give. Though nominated in seven Academy Award categories, "The Talk of the Town" won none. Perhaps more surprisingly is that of those seven nominations, none were for acting or direction. Surprising because the film is impeccably acted and smoothly directed. It was, however, rightly nominated for Best Picture (it lost out to William Wyler's "Mrs. Miniver") and was a big smash at the box office. The public quickly warmed to the blend of comedy with intelligent politico musings. The set up is safe, a potential love triangle - with the three leads playing off each other sublimely - is nicely played out whilst the two men partake in discussions about the law, the applications of such and its moral worth. The comedy that comes in fits and starts is not so much of the screwball variety, but more that of ebullience born out of beautifully written sequences. Some argue that the plot is heavily reliant on contrivances (how many 1940s comedies aren't?), but ultimately that is easily forgiven given the quality on show across the board. 8/10
Reviewed by perfectbond 8 / 10

A perfect mix of comedy and drama

Talk of the Town is an excellent combination of a screwball comedy and legal drama. Grant plays well in both genres and is aided here with very capable co-stars, Arthur and Coleman. The discussions between Dilg and the professor concerning the practical and theoretical aspects of the law are both entertaining in their tit-for-tat presentation and thought provoking in their philosophical content. Jean Arthur is also very charming as the love interest who helps move them to compromise. I thoroughly enjoyed this intelligent, witty, funny, and well-acted film and strongly recommend it, 8/10.
Reviewed by blanche-2 8 / 10

Colman, Grant and Arthur - how can it miss? It doesn't.

Cary Grant is Leopold Dilg, "The Talk of the Town," in this 1942 film also starring Ronald Colman and Jean Arthur. The outspoken Digl is framed for arson and murder and escapes from prison. He ends up in the home of a schoolteacher he's known since childhood, Nora Shelley. She's preparing her home to be rented the next day - except the renter, an attorney named Professor Lightcap (Colman) shows up right then. Since Leopold has a bad ankle, Nora lets him hide in the attic. Though Lightcap wants peace and quiet to write a book, things don't quite happen that way. Nora insists on being his secretary/cook - because she has to take care of Leopold - and every time Lightcap turns around, there's Nora's mother, the police looking for Dilg, furniture deliveries and a delivery of all of Nora's clothing - before he agrees to hire her.Nora and Dilg's attorney Yates (Edgar Buchanan) attempt to drag the brilliant ivory tower attorney into the unfair assumption of guilt of Dilg, but Lightcap refuses. His type of justice, it seems, is all on paper. He doesn't want to get involved with any real people. Leopold, posing as the family gardener, gets into some heated discussions with him, and at Leopold's urging, Nora gives Lightcap special attention. But is any of it enough to make him cave and help Digl? This is a grand comedy with very serious undertones. Who would ever expect two of the most elegant men in film history, Grant and Colman, to be facing off in a comedy, no less, where one of them is very definitely NOT elegant. Grant is terrific, a truly great actor who rarely let his audience see anything but the famous "Cary Grant" persona. Here, he's a man of the people with a clumsy walk and casual clothes. His pantomime to Nora through his attic window of wanting something to eat is hilarious. The bearded Colman plays the role of a stuffy professor very straight. Lightcap is barely able to stand the chicanery of Nora's household at first, as he has a strict routine. Fast forward and he's flirting and dancing with a smart-mouthed beautician (Glenda Farrell) in order to pump her for information about her boyfriend. His acting, particularly his courtroom speech toward the end of the film, is magnificent. Arthur plays Nora as a dizzy, confused and nervous woman, completely thrown as a landlord, a friend and a woman by the appearance of Leopold and the brilliance of Lightcap, as well as his admiration of her. She's torn between the two of them - and keeps the audience wondering.Really a must-see for the lesson that true justice must be not read, not preached, but lived and for the wonderful characterizations and direction by Stevens.
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