The Phantom of the Opera

1925

Action / Horror / Music

13
Rotten Tomatoes Critics - Certified Fresh 90% · 49 reviews
Rotten Tomatoes Audience - Upright 84% · 1K ratings
IMDb Rating 7.5/10 10 22493 22.5K

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Plot summary

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Director

Top cast

Ethel Broadhurst as Frightened Ballerina
Norman Kerry as Vicomte Raoul de Chagny
Virginia Pearson as Carlotta / Carlotta's Mother
Betty Arthur as Ballet dancer
720p.BLU 1080p.BLU
832.37 MB
848*720
English 2.0
Passed
24 fps
1 hr 30 min
Seeds 1
1.67 GB
1264*1072
English 5.1
Passed
24 fps
1 hr 30 min
Seeds 21

Movie Reviews

Reviewed by CinemaSerf 7 / 10

When then famed Paris Opera finds new owners

When then famed Paris Opera finds new owners, they are full of enthusiasm for their star "Carlotta" (Mary Fabian) whom they know will wow the audiences. Both she and they, though, get a letter informing them that should she take the stage instead of her understudy "Christine" (Mary Philbin) then they'll all rue the day. Nobody pays a blind bit of notice and, well, the audience really do bring the house down! Using the enchantment of his voice, and promises of success, the "Phantom" (Lon Chaney) manages to lure the young "Christine" to his lair some five floors beneath the stage where he declares his undying love. She's more interested in the mask that he's wearing, and upon it's removal is abhorred. She begs to go free and he agrees - provided she spurns her lover "Raoul" (Norman Kerry). She does quite the opposite however and that antagonises her admirer to the point where life and limb are threatened and even the opera house itself could end up in smithereens. It all builds to a marvellous climax - a race against time, against flood waters and gunpowder - if "Raoul" is to save his love from their clearly insane nemesis. A lot will spend on the accompanying music here, but if you get a good score then this film really does come alive. The sparing use of colour - especially as Chaney straddles the gargoyle atop the roof of the building, but also during some of the theatrical scenes contrasts well with the rather more drab monochrome scenes. The creative use of light and shadow to create a genuine sense of peril and, at times, even desperation as the story develops is also enthralling to watch. A great story of love and obsession on a big screen with a live pianist - this takes some beating.
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Reviewed by Coventry 8 / 10

Silence is golden...

One of the most eminent horror films ever made and perhaps even the most famous silent horror movie from that time. Lon Chaney starred in over 150 films (most of them silent ones) but he'll always be remembered best for his personification of Erik, the Phantom. And justified! Even though this role was played by many respectable actors afterwards (like Claude Rains, Herbert Lom and Robert Englund) Lon Chaney is – and remains – the one and only Phantom of the Opera. The film itself is depressing and dark, with terrific photography and settings. Deep down the catacombs of the Parisian Opera building, the phantom reigns in forgotten dungeons and underground lakes. After all these years of dwelling in the opera, he has fallen in love with the unsuccessful singer, Christine. He helps her career a little and threatens to kill the prominent singer Carlotta if she doesn't hand over the her role in Faust to Christine. The until then unknown singer is thankful and meets her `master' in the catacombs. Her appreciation soon turns into fear when she finds out her benefactor is the horribly scarred Phantom of the Opera. The biggest difference between this first version and the later remakes lies in the roots of the Phantom. Here, Erik is said to be an escaped madman whereas he merely only was a hurt romanticist in later versions. His deformed appearance isn't explained and neither is shown how he falls for the beautiful, shy Christine.

At least 3 sequences in the 1925 Phantom of the Opera are legendary and still astonishing after almost 80 years. The masked bal, which the Phantoms attends as the `Red Death' is an outstanding horror sequence and truly atmospheric. The grimaces of Chaney seem to look right through the other partygoers and his search for Christine is relentless. Immediately after this scene, the crew moves to the roof of the Opera building and Chaney takes place on top of the Apollo statue. A breathtaking piece of early cinema that stands the test of time like no other. The climax of Phantom of the Opera is an extended series of chasings and battues, resulting in the dramatic (and gruesome) death of our protagonist. Rupert Julian's classic silent has got everything! An actor capable of carrying the toughest role ever written, beautiful scenery, real-life drama, sentiment and romance. And last but not least an unbearable tension… Throughout the entire film, you're looking at it with your eyes wide open.

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