The Other Side of the Wind

2018

Action / Comedy / Drama

16
Rotten Tomatoes Critics - Certified Fresh 82% · 97 reviews
Rotten Tomatoes Audience - Spilled 57% · 250 ratings
IMDb Rating 6.6/10 10 8636 8.6K

1970s satire comeback parody mockumentary film in film

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Plot summary

At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.

Director

Orson Welles Photo
Orson Welles

Top cast

Henry Jaglom Photo
Henry Jaglom as Himself
Dennis Hopper Photo
Dennis Hopper as Dennis Hopper
Cassie Yates Photo
Cassie Yates as Martine
Rich Little Photo
Rich Little as Party Guest
720p.WEB 1080p.WEB
1.01 GB
1280*694
English 2.0
R
Subtitles
24 fps
2 hr 2 min
Seeds 5
1.95 GB
1920*1040
English 2.0
R
Subtitles
24 fps
2 hr 2 min
Seeds 15

Movie Reviews

Reviewed by Kyle M 8 / 10

When Orson Welles comes to mind, he's identified

When Orson Welles comes to mind, he's identified as the auteur behind "Citizen Kane", praised debatably the greatest movie of all time according to some ranks but out of modest respect is considerably one of the greatest. According to the documentary titled after his proclamation "They'll Love Me When I'm Dead", released as complementary to his final film "The Other Side of the Wind", it became his curse. The documentary focuses on the final fifteen years of his life when hoping to put it to rest with not just a comeback in Hollywood but closure to the cinematic achievement he perfected then. He started making the aforementioned film in 1970 with principal photography finished in 1976, but complications prevented him from ever finishing it. Welles passed away in 1985, but those closest to him made a promise to bring his final vision to life. After 48 years of production, "The Other Side of the Wind" finally gets unveiled. The documentary functions routinely but also rather briefly when structuring the portrait of who Orson Welles was. Director Morgan Neville ("Won't You Be My Neighbor?") has taken the initiatives in following after the formerly-unfinished film with accounts going over the decades-long process of finalizing it, especially executive producer Peter Bogdanovich who had a major role in reviving Welles' career through his writings whilst becoming a lifelong friend. We're given minimal biographical details of Welles' beginning, but mainly focus on those fifteen years and what thoughtful insights came up during that period. Frankly, his previous milestones deserved their own sole focus per pre-acknowledged.ds on. Considering the project was his last as a filmed whole, Welles' complex stature gets further reflected and better grasped by personally connective parallels as he strived for artistic perfections. The performatively-committed "Other Side of the Wind" starred John Huston, who frequently directed Welles as their collaboration came full circle, as a legendary but jaded Hollywood director at a media-swamped party celebrating his 70th birthday, screening his avant-garde film-in-progress. He's met with admirers and given unsettling questions about his cast, who appears silent across exploitive expressionism without a solid direction. Set as a comeback and settled as a closure to his "Citizen Kane" expectations, which is inferior but narratively comparable by modernized focus, Welles embraced the artistic state the cinema was going towards in the 70s with a mixed reception by acculturation, but the coordinated cinematography is traced with his signature. From watching "They'll Love Me When I'm Dead" prior as it persuaded to turn the viewing into a double feature and gaining the insightful retrospective, it's personally underlined as he saw himself through Huston's character layered with satirical appreciation towards the director who boosted his career. Both films were released concurrently and proved a worthy double feature clocking around 3.5 hours. If you start with the documentary, you'll be prepped with prerequisite knowledge by enhanced understanding behind Welles' complex stature and the complications he faced that are sporadically occurring in the film industry today. It's also a successful capture of his human side that solidifies the imagery buildup Neville focused on. If you start with the filmic narration, the viewing will make the documentary what it actually is: a lengthy featurette you'd access amid home media's accompaniment to learn more about the history behind the picture. Either way's equally effective, and it helps appreciate Orson Welles' craft even more over what he values, especially the spiritual connections he made with his pictures as reference commentary he profoundly relates to. Film study mainly links Orson Welles to nurtured cinema enthusiasts discovering his prominence towards the form, and the rightly titled "They'll Love Me When I'm Dead" feeds insight that furthers appreciation towards projected creativity – or/and mastery. (B+)
Reviewed by Isa B 10 / 10

The great Orson Welles was decades ahead of

The great Orson Welles was decades ahead of his time. With The Other Side of the Wind, he essentially created "found footage " and the "mockumentary" style of filmmaking way before anyone else conceived the idea. John Huston gives one of my favorite acting performances not only in his career, but in any career. He is truly great in this. I love the score by Michel Legrand, especially the opening song, Les Délinquants. With this picture, Mr. Welles left us with one more innovative work of art from his filmography. It was released 33 years after his death and some 42 years after filming was completed. To think this was filmed between 1970 and 1976 is truly remarkable. Many thanks to the great Peter Bogdanovich and to Netflix for getting this delivered to us. Regarding the film within the film, Orson made something closely resembling the European films that so many filmmakers were releasing back then. He was merely flexing by making the film in that particular style, as if to say, "I can make this strange, psychedelic, avant-garde style of film too, only I can do it better. There was never a more creative genius in the history of film. The Other Side of the Wind is largely about the inevitable betrayal of friendship. The great, fictitious filmmaker, J.J. Hannaford says his goodbyes to Brooks Otterlake in proper Shakespeare fashion. They are both well-versed in Shakespeare. A lot of this was too close to home as Otterlake was played, and brilliantly so by Peter Bogdanovich, who was playing a version of himself. John Huston played a man who wasn't exactly Orson Welles, but he was in there somewhere. Orson directed Peter to "play it like it's us". I actually love how the characters speak to each other in a manner that indicates familiarity. We, the audience, are at times left to scratch our heads, not fully understanding exactly what's being said. That gives this piece a very realistic vibe. A mind blowing piece of cinema and one of my absolute favorite films. I couldn't possibly recommend this motion picture anymore than I do. Watch this unique masterpiece film! 100/100 ?
Reviewed by Alec B 9 / 10

The concept is deceptively pedestrian but it allows

The concept is deceptively pedestrian but it allows Welles to play around with a lot of different ideas. Most interesting is his examination of how "Auteur Machismo" is ultimately just bullshit, perfectly articulated by the pretentious and shallow film within the film.
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