★ 7 / 10
Hardy Kruger is really good in this wartime
CinemaSerf
Hardy Kruger is really good in this wartime adventure film. His portrayal of the real life Franz von Werra, the only German PoW to escape internment from the…
Hardy Kruger is really good in this wartime adventure film. His portrayal of the real life Franz von Werra, the only German PoW to escape internment from the UK during WWII gives us some idea of the sheer determination of a man who tried, repeatedly, to gain his freedom before embarking on a tour of just about every nation on Earth to get back to Germany. He starts by making his captors a promise that he will escape in six months, and they just put that down to his Nazi superiority complex. Soon, though, they realise he is a clever and ingenious fellow who lacks nothing by way of cunning - despite the difficulties he faces. It's maybe a little bit long, but for the most part Kruger holds it together really effectively. Despite not being on our side, so to speak, as the film gathers momentum it is difficult not to respect the man and his achievements, particularly as it is not just his enemies that are after him, but the weather and terrain are also conspiring effectively against him too. The supporting cast - Michael Goodliffe and Colin Gordon especially - work well; the photography (Sweden not Canada) looks good; the dialogue is frequently quite pithy and by the end, well I rather liked the fellow!
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★ 7 / 10
THE ONE THAT GOT AWAY (Roy Ward Baker, 1957) ***
Bunuel1976
This is one of several classic British war films made during the 1950s, but which I never had the opportunity to watch before: in retrospect, it has survived…
This is one of several classic British war films made during the 1950s, but which I never had the opportunity to watch before: in retrospect, it has survived better than some of the others because the central character is not English and, therefore, such stiff-upper-lip sentiments are kept largely at bay throughout; the fact that he's actually a German who's portrayed as a resourceful - even charming - scoundrel rather than the stereotypical Nazi villain, makes the film all the more interesting when viewed today!
It details the exciting true-life escape story of ace pilot Franz von Werra (an ideally cast Hardy Kruger in his first international role) from several British prison camps in 1940; ironically, he was lost at sea not long after having reached Germany and resumed his war duty! The plot is basically split into three sections: the first establishes von Werra's defiance of authority and his resolve to break free from confinement - culminating with his initial escape attempt; transferred to a new camp, we immediately see him at work on building a tunnel - this time, he's part of a mass breakout and, by impersonating a Dutch flyer, almost manages to take off with a plane belonging to the R.A.F.!; finally, he leaps off a train transporting him to a Canadian prison and, bravely enduring the freezing weather, makes it across the border by boat into the still neutral U.S.A.
Absorbing and suspenseful, this is an excellent example of its type and period, with all the care that professional handling could bestow; above all, the quality of Eric Cross's black-and-white cinematography is most evident during the scenes of hardship in von Werra's various getaways. While this is Hardy Kruger's show all the way, the supporting cast highlights numerous minor staples of British cinema from this era, namely Michael Goodliffe, Alec McCowen, Terence Alexander and John Van Eyssen.
Ultimately, the best compliment I can pay to the film is perhaps that it makes for a worthy companion piece to Robert Bresson's inspirational A MAN ESCAPED (1956; one of the greatest of all films) and Andrew L. Stone's very funny THE PASSWORD IS COURAGE (1962) - both also dealing with the story of true-life P.O.W. escapees - although THE ONE THAT GOT AWAY is, in hindsight, neither as introspectively solemn as the former nor as gently humorous as the latter. In any case, I've watched and thoroughly enjoyed a good many contemporaneous British war films (THE CRUEL SEA [1953], THE COLDITZ STORY [1954], THE DAM BUSTERS [1954] and ICE COLD IN ALEX [1958], to name but a few); there are, however, quite a few more I need to catch up with - THE WOODEN HORSE (1950), ALBERT R.N. (1953), DUNKIRK (1958), I WAS MONTY'S DOUBLE (1958), DANGER WITHIN (1959), etc.
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80%
AUDIENCE
7.1/10
2.8K
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Great movie, Thanks, Freeman.