The Many Saints of Newark

2021

Action / Crime / Drama

75
Rotten Tomatoes Critics - Certified Fresh 72% · 229 reviews
Rotten Tomatoes Audience - Spilled 59% · 500 ratings
IMDb Rating 6.2/10 10 69638 69.6K

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Plot summary

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark, N.J., history, becoming a man just as rival gangsters start to rise up and challenge the all-powerful DiMeo crime family. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, whose influence over his nephew will help shape the impressionable teenager into the all-powerful mob boss, Tony Soprano.

Director

Top cast

Jon Bernthal as Johnny Soprano
Vera Farmiga as Livia Soprano
Andrew Polk as Taxi Passenger
Ray Liotta as 'Hollywood Dick' Moltisanti
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB 2160p.WEB.x265
1.08 GB
1280*534
English 2.0
R
Subtitles us  es  
23.976 fps
2 hr 0 min
Seeds 7
2.22 GB
1920*800
English 5.1
R
Subtitles us  es  
23.976 fps
2 hr 0 min
Seeds 8
1.08 GB
1280*534
English 2.0
R
Subtitles us  es  
23.976 fps
2 hr 0 min
Seeds 5
2.22 GB
1920*800
English 5.1
R
Subtitles us  es  
23.976 fps
2 hr 0 min
Seeds 54
5.36 GB
3840*2160
English 5.1
R
Subtitles us  es  
23.976 fps
2 hr 0 min
Seeds 3

Movie Reviews

Reviewed by tmdb28039023 1 / 10

The Many Saints of Newark is The Sopranos

The Many Saints of Newark is The Sopranos meets The Godfather Part II, and the result is so much less than the sum of its parts. Do we really need to know that Tony Soprano was once a chubby brat? Moreover, do we really want to know that that chubby brat grew up to be Michael Gandolfini? Michael would certainly be a chip off the old block, if his father had been Oswald Cobblepot instead of Jim Gandolfini. This is truly a case of the apple falling a million miles away from the tree, but then pretty much everyone here falls short of the original actors/characters (I was never really a fan of the TV show, and even I would rather watch that instead). Livia, Junior, Janice, Paulie Walnuts, Silvio Dante, Big Pussy; Soprano diehards will recognize all of these and several other names , but not much else. The only connection to the HBO series is Michael Imperioli, and even then it's just his voice used as little more than en excuse for some lame retrospective dramatic irony. When he sees Tony for the first time, baby Christopher starts crying his eyes out; someone takes the opportunity to randomly comment that “Some babies, when they come into the world, know all kinds of things from the other side”. So baby Chris could somehow sense that uncle Tony was going to eventually murder him in cold blood? And if so, a fat lot of good that prescience did him. As for the audience, we (even casual viewers like myself) remember very well that Tony Soprano strangled Christopher Moltisanti (which means 'many saints', hence the title of the film), because it’s practically the first thing that Imperioli tells us in the opening narration (to paraphrase Borges, saying something too much is almost as bad as not saying it). Writers David Chase and Lawrence Konner and director Alan Taylor even manage to ruin the only good thing about this piece of crap movie; i.e., the late, great Ray Liotta, who must have been paid very good money — and completely deserved it for appearing in this debacle — because the filmmakers kill off his character half an hour into the movie, just to introduce his identical twin (and I mean identical to a T; how many pairs of twins are still getting exactly the same haircuts in their late 60s?). Someone at New Line must have thought that Liotta was overpaid and demanded that the actor pulled double duty; how else to explain this farcical turn of events?
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Reviewed by sdowen-59793 6 / 10

Not the movie fans of the Sopranos wanted

They made a movie about Dickie Moltisanti. Most Soprano fans couldn't give a damn about Dickie. He's a background character.

Fans wanted a show about Tony Soprano. The movie made Tony a background character. We learned more about Tony's childhood from the original show than we do during this movie.

With the exception of one scene, we don't even know anything about Tony's relationship with his father.

It's puzzling. The original show was all about the complexity of family dynamics. This movie was a B-rate gangster flick sidetracked by a plot about a black gangster during a time in the 60's when there would have been minimal interaction between street gangs & mob bosses.

The fans wanted a Tony Soprano coming of age Story. Instead the producers delivered a 2 hour film with 14 minutes of Tony Soprano flashbacks.

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