★ 5 / 10
Cat Prancing. Richard C. Sarafian directs and Eleanor
John Chard
Cat Prancing. Richard C. Sarafian directs and Eleanor Perry adapts the screenplay from Marilyn Durham's novel. It stars Burt Reynolds, Sarah Miles, Lee J.…
Cat Prancing.
Richard C. Sarafian directs and Eleanor Perry adapts the screenplay from Marilyn Durham's novel. It stars Burt Reynolds, Sarah Miles, Lee J. Cobb, Jack Warden, George Hamilton, Bo Hopkins, Robert Donner and Jay Silverheels. Music is by John Williams and cinematography (Panavision/Metrocolor) by Harry Stradling JR.
Train robbing outlaw starts to fall for a woman who inadvertently becomes a kidnapee.
The rumours and gossip behind the making of the film are far more interesting than the film itself. Miles was married to Robert Bolt (they would be married twice), and it is believed that Bolt had to do uncredited work on the script to make it better! This as Miles and Reynolds were having some fun after hours, while Miles' manager (David Whiting) died under suspicious circumstances during the production.
The production is, on a technical level, superb, the locations are outstandingly realised by Stradling's photography, while Williams shows his multi stranded genius by providing a number of different musical compositions throughout the pic. Sadly the film drags and come the midway point it just becomes dull.
It starts off promisingly, with a daring train robbery introducing us to a band of outlaws, led by Reynolds of course, who are interesting enough to keep us, well, interested. Yet this proves to be a false dawn as what looked like being a potent manhunt of the gang, with revenge flavoured seasoning and sexual tensions, quickly turns into a wet romance stretched out to nearly two hours run time. As Miles and Reynolds take center stage for the second half of film, you realise that Cobb and Warden have been criminally underused. Lead performances are OK, it's just that the narrative is uninteresting and poorly directed - though a pat on the back is warranted for the respectful writing of the American Indians.
It looks and musically sounds great, but really it's hard to recommend with confidence. 5/10
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★ 8 / 10
A Great Reynolds Performance In Unappreciated Movie
slightlymad22
I just rewatched The Man Who Loved Cat Dancing (1973) Plot In A Paragraph: After being released from prison where he was serving a sentence for murder, Jay…
I just rewatched The Man Who Loved Cat Dancing (1973)
Plot In A Paragraph: After being released from prison where he was serving a sentence for murder, Jay Grobart (Reynolds) leads a band of three other men in robbing a train of its Wells Fargo cargo of $100,000. In their escape from the scene, they are forced to take kidnapp Mrs. Catherine Willard Crocker (Sarah Miles) As Jay, the leader, embarks on his next mission, Harvey Lapchance (Lee J. Cobb) the investigator for Wells Fargo, has a posse of men on their trail. That posse includes Willard Crocker (George Hamilton) a mining executive who is the kidnapped woman's husband.
This is a real slow burning movie, Burt delivers a terrific performance which is allowed time to breathe and unfurl with grace and sensitivity, even exceeding his most celebrated role in Deliverance in terms of range. Grobart is not a traditional hero and it was brave of the actor to accept it just as he was becoming America's favourite movie star. Grobart is a flawed man haunted by demons past and present. He is inherently a good man blind to race and social divisions yet lured to violence on a whim in response to acts of aggression against the women in his life. It would be quite awhile before the actor again disappeared it a role so completely They iconic characters he portrayed in succeeding films are almost impossible to consider as mutually exclusive from Reynolds' own larger-than-life persona.
Unfortunately, this movie was plagued with production problems, including a death (which from time to time, resurfaces with Burt being accused of murder) and audiences stayed away in droves.
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53%
AUDIENCE
· 100 ratings
6.2/10
1.9K
