The Man I Love

1946

Drama / Film-Noir / Music

5
Rotten Tomatoes Critics - Certified Fresh 83% · 6 reviews
Rotten Tomatoes Audience - Spilled 56% · 50 ratings
IMDb Rating 6.7/10 10 2020 2K

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Plot summary

Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, a formerly great jazz pianist now on the skids, and falls hard for him.

Director

Top cast

Patricia Barry as Chorine
Robert Alda as Nicky Toresca
Monte Blue as Cop
720p.BLU 1080p.BLU
887.04 MB
1280*934
English 2.0
Approved
us  
23.976 fps
1 hr 36 min
Seeds 2
1.61 GB
1480*1080
English 2.0
Approved
us  
23.976 fps
1 hr 36 min
Seeds 6

Movie Reviews

Reviewed by John Chard 6 / 10

I ran down like a clock. It was

I ran down like a clock. It was just as though I'd been wound up too tight and the spring broke. The Man I Love is directed by Raoul Walsh and adapted to screenplay by Jo Pagano and Catherine Turney from Maritta M. Wolff's novel. It stars Ida Lupino, Robert Alda, Andrea King, Martha Vickers, Bruce Bennett, Alan Hale and Dolores Moran. Cinematography is by Sidney Hickox. Loved by some, not so by others, Walsh's film is pretty much a soap opera meller with some faint noir shadings. The plot, that has more holes than a bullet riddled bucket, sees Lupino's torch singer return home for the holidays and complications arise in the love and lust department - for her, her family, and the ruthless nightclub owner played by Alda. There's a mature look at womanhood and masculinity in the post war years, with a poignancy factor boosted by it being set around the Christmas holidays. As usual Lupino is as watchable as ever - in fact into the bargain she's very sultry here as well - and there's some nifty noirish dialogue. However, as the story is intent on reflecting upon damaged love across the board, there's a distinct lack of fatalism or bitter cynicism to be found, thus explaining why many have be forced to put it in the soapy meller category. This is good film making, but for entertainment purpose it helps if you go into it not expecting a hidden film noir gem, but a pic of unhappy people wandering aimlessly in a melodramatic fog. 6/10
Reviewed by rhoda-9 8 / 10

Queen Ida

Ida Lupino is always good or really good--here she is overpowering, but without unbalancing a movie with a very strong script and a cast of actors who may not be all that famous (Robert Alda, beautiful but sinister; Bruce Bennett, the sad shadow of Gary Cooper) but who certainly pull their weight. Ida begins the movie by smoking and drinking while she sings the title song in a killer deadpan, and goes on to confront, unarmed, a gunman and slap him silly. But, unusually, these theatrics are balanced by romantic and psychological dialogue of a maturity that is rare indeed in the movies, certainly at this early date. Occasionally harsh realism (for instance, in the terrifying behavior of a mentally disturbed veteran) more than earns the qualified optimism shown here.Two other things to be impressed by: Bruce Bennett, as the jazz pianist, does all his own playing (bet Gary Cooper couldn't do that!), and Ida, in skin-tight evening gowns, looks astonishing. What a figure!
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