The Last Horror Film

1982

Action / Comedy / Horror

12
Rotten Tomatoes Audience - Spilled 39% · 250 ratings
IMDb Rating 5.6/10 10 2982 3K

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Plot summary

A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.

Director

Top cast

Caroline Munro as Jana Bates
Robert Paget as Screening Room Jury
Devin Goldenberg as Marty Bernstein
Sharon Hughes as Stripper
720p.BLU 1080p.BLU
700.48 MB
1280*720
English 2.0
R
23.976 fps
1 hr 27 min
Seeds ...
1.24 GB
1920*1080
English 2.0
R
23.976 fps
1 hr 27 min
Seeds 1

Movie Reviews

Reviewed by Wuchak 6 / 10

**_Entertaining slasher set at the Cannes Film Festival_**

**_Entertaining slasher set at the Cannes Film Festival_** A taxi-driver in the Big Apple is also a wannabe film director (Joe Spinell) who travels to the French Riviera to make connections at the famous film festival, particular with the starlet he wants to perform in his movies (Caroline Munro). People start mysterious dying. "The last Horror Film," aka “Fanatic” (1982), is a fun, but curiously obscure American slasher that only cost $2 million, yet that’s more than enough to make a quality slasher seeing as how “Halloween” cost just $325,000 four years earlier (the bulk of the budget was spent on expensive location shooting and permits). Caroline was 32 during shooting and attractive, but she was already beyond her physical prime, which can be observed in “The Spy Who Loved Me” five years prior. She has hair highlights throughout that detract from her beauty. However, there are peripheral beauties, which is to be expected given the setting. Despite the gory kills, this is not a scary slasher, such as the first “Friday the 13th.” There’s a wink of amusement to the proceedings, like it’s all a joke. But it can be enjoyed if you roll with it; it’s just not meant to be taken too seriously. The movie runs 1 hour, 27 minutes, and was shot New York City (opening scenes) and France (Cannes, Pont de la Vierge Noire and Château de Pelly), as well as Los Angeles (strip club) and Lake Geneva, Switzerland (castle sequence). GRADE: B-/C+
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Reviewed by Hey_Sweden 7 / 10

Spinell is excellent as always.

Crude, low budget shocker is undeniably fascinating for its setting, and its portrayal of the movie business. It reunites the two stars of "Maniac", Joe Spinell and Caroline Munro, in a story of NYC cabbie Vinny Durand (Spinell), a pathetic aspiring filmmaker who's obsessed with horror film star Jana Bates (Munro), tailing her to the Cannes Film Festival where she's promoting her latest film. In between Vinnys' desperate attempts to make contact with Jana, a psychotic killer is at work brutally dispatching various people in Janas' life. The film is co-written by Judd Hamilton, then married to Munro, and director David Winters, along with Tom Klassen, and Hamilton and Winters also play film directors on screen. Winters is more ambitious with his ideas and set ups than one would think, going for the surreal and laying on the creepy imagery at select points, and his framing is likewise interesting. The non stop pop / rock soundtrack helps to keep "The Last Horror Film" moving forward adequately, and there are some genuinely effective sequences, such as when a terrified Jana flees in terror from Vinny, clad in only a towel, and bemused onlookers think she's merely participating in a publicity stunt. Use of gore is entertaining - there's not a whole lot of it, but we do see a fair bit of the red stuff spilling. Cameos include June Chadwick and Robin Leach, and one truly compelling facet of this movie is the way it works as a snapshot of a particular place at a particular time, with many shots of posters of then current productions. Intriguing at every turn, "The Last Horror Film" also has a certain seedy ambiance going for it, with some nudity to go with its lurid thrills. Spinells' own mother Mary is hilarious as Vinnys' overbearing ma, and Munro is as gorgeous and appealing as she's ever been, but ultimately this is a vehicle for Spinell, who proves once again his ability to elicit some feelings of sympathy even when playing a disturbed character. This is not up to "Maniac", but it's not bad, and worth a look for fans of the stars. The final scene is especially funny, ending the movie on an irresistible high note. Seven out of 10.

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