The King and I

1956

Action / Biography / Drama / Musical / Romance

43
Rotten Tomatoes Critics - Certified Fresh 93% · 29 reviews
Rotten Tomatoes Audience - Upright 83% · 50K ratings
IMDb Rating 7.4/10 10 29817 29.8K

inter cultural temple widow prime minister letter bangkok, thailand

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Plot summary

Widowed Welsh mother Anna Leonowens becomes a governess and English tutor to the wives and many children of the stubborn King Mongkut of Siam. Anna and the King have a clash of personalities as she works to teach the royal family about the English language, customs and etiquette, and rushes to prepare a party for a group of European diplomats who must change their opinions about the King.

Director

Walter Lang Photo
Walter Lang

Top cast

Alan Mowbray Photo
Alan Mowbray as Sir John Hay
Rita Moreno Photo
Rita Moreno as Tuptim
William Yip Photo
William Yip as High Priest
Leonard Strong Photo
Leonard Strong as Interpreter
720p.BLU 1080p.BLU
875.16 MB
1280*720
English 2.0
G
Subtitles
23.976 fps
2 hr 13 min
Seeds 6
1.95 GB
1920*1080
English 2.0
G
Subtitles
23.976 fps
2 hr 13 min
Seeds 35

Movie Reviews

Reviewed by Stephen C 10 / 10

Success in 2 hours and 13 minutes. The

Success in 2 hours and 13 minutes. The worldwide gross is $21,300,000.00 over a $4,550,000.00 budget.
Reviewed by Mike P 8 / 10

Epic musical about the love/hate relationship between Anna

Epic musical about the love/hate relationship between Anna Leonowens; who was the hired teacher and consul for King Mongkut of Siam; and the king himself; in the 1960s at the tale end of his reign. The play is a musicalization and dramatization of Leonowens' own published journals; based on her own real-life experiences as a member of King Mongkut's court in the 1860s. Leonowens was hired to teach Mongkut's many children, (he famously had 39 sons, 43 daughters and 36 wives). She was also brought in because Mongkut had a stated desire to "modernize" his court; and bring a calming British influence into his own regime; (to fight the prevailing notion that he was a "barbarian" amongst Westerners). The musical follows Anna's numerous ongoing interactions and consultations with the king for the decade she was in Siam; their discussions about culture; their debates about human rights and priorities and customs; their fights about her living situation and the various power plays that went on between them; as well as the unstated love affair that was going on between them... Both Deborah Kerr and Yul Brynner are absolutely brilliant in these performances; particularly Brynner, who won an Oscar for his performance. But fiesty Kerr is no slouch either and she proves his perfect foil in this romance/battle of the wits. Is the play hackneyed with stereotype and racist colonial tropes?.... Yes! Is it entertaining, brilliantly acted; and very moving as well?... Yes! Not to mention the direction by musical empresario Walter Lang is sumptuous and breathtaking; and the music by Rodgers and Hammerstein is just classic, tear-jerking stuff. To quote the song "Something Wonderful": "He will not always say, what you would have him say; but now and then he'll do, something wonderful!" The same goes for the show; which ofcourse has many cringe moments; but now and then it is wonderful. The part that hasn't dated is this depiction of two strong personalities; coming together and forming a friendship; and coming to understandings about how to improve society in some small way and learn from eachother. The heavy-handed colonial missionary subtext be damned... This is still the story of a real life fascinating friendship between two fascinating people. Perfectly played by two brilliant actors. And in that sense it's definitely still worth watching. Not to mention the brilliant classic musical numbers like "Getting to Know You"; "Something Wonderful" and "Shall we Dance". Highly Recommended!
Reviewed by R T 9 / 10

As I said, I really like this film-musical

As I said, I really like this film-musical, as I like most all Rodgers and Hammerstein musicals. Rodger's music is sublime and catchy in all the right ways, invoking thoughtful and sophisticated influences of Asian music. The problem, however, lies in the portrayal of Mongkut, who although driven to bring modernism and education to Siam for the sake of his subjects, is really little more than a funny speech inflection. Nevertheless, the striving for common ground between the Eastern and Western values serves to enlighten both Mongkut and Anna in unexpected ways, with both learning to respect and love each other. In fact, I would argue that it is only with the blending of cultures that the characters truly learn who they are. It is a story from a less politically correct, more innocent time, but a good deal of enjoyment can still be garnered.
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