★ 7 / 10
This is all about the last ten minutes
CinemaSerf
This is all about the last ten minutes - and those largely forgive the preceding 100 which produce a rather dull, south seas melodrama as Jon Hall "Terangi" is…
This is all about the last ten minutes - and those largely forgive the preceding 100 which produce a rather dull, south seas melodrama as Jon Hall "Terangi" is imprisoned for defending himself against a bully. The intransigent French Colonial Governor "DeLaage" (a suitably maniacal Daniel Massey) makes it his mission to ensure that the rule of law prevails, and that "Terangi" is suitably punished - despite the caring interventions of a loquacious, frequently over-imbibed, Thomas Mitchell ("Dr. Kersaint); quite a poignant performance from local cleric C. Aubrey Smith ("Fr. Paul") and his own wife Mary Astor ("Mme. DeLaage"). Indeed, under the brutal administration of the hard labour camp by John Carradine the misery of our young captive is only compounded, especially as his unsuccessful escape attempts - to get back to wife "Marama" (Dorothy Lamour) - result in increases to his sentence. The plot is riddled with holes and inconsistencies, but John Ford builds tension quite well and the score from Alfred Newman and the special - really quite impressive - effects at the end are both great too (frankly, far too good for the rest of it). It'd be hard to recommend the entire film, but on balance I think the end justified the trip.
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★ 8 / 10
Lots of wind and skin
blanche-2
Jon Hall, Dorothy Lamour and an excellent cast are all caught in "The Hurricane," a 1937 film and the first to win a Special Effects Oscar. The original novel…
Jon Hall, Dorothy Lamour and an excellent cast are all caught in "The Hurricane," a 1937 film and the first to win a Special Effects Oscar. The original novel was written by Jon Hall's uncle. On the island of Manakoora, Terangi (Hall) and Marama (Lamour) marry amidst a happy celebration, though their happiness will be short-lived. Terangi must deliver cargo to Tahiti, though Marama has a premonition about the trip and warns him not to go. While in Tahiti, he gets into a barroom fight and is sentenced to 6 months in prison. The governor of Manakoora, DeLaage (Raymond Massey), despite the urgings of his friends and his wife (Mary Astor) refuses to ask for Terangi to be brought back to Manakoora and put on parole. Unable to endure a life with no freedom, and desperate to get back home, Terangi continually attempts to escape. Each time he does, 2 years are added to his sentence until he has to serve 16 years. At last, Terangi escapes and makes his way back to his island, where he meets his daughter for the first time. Knowing that DeLaage will capture him and return him to Tahiti, islanders prepare to help the family sail to another island. But a hurricane (actually a typhoon) strikes.
Besides those mentioned, "The Hurricane" also stars Thomas Mitchell as the French doctor on Manakoora, C. Aubrey Smith as the local priest, Jerome Cowan as Terangi's captain, and John Carradine as a sadistic prison guard.
The effects are astounding and are a no-miss, particularly considering it is 1937! The tremendous winds, the rising waters, the trees falling, buildings collapsing - all magnificent. John Ford did an excellent job of directing this film, which has racism as its underpinning - the prison sentence was the result of a so-called dark man hitting a white man; and DeLaage's patrician and cruel attitude has racism at the base of it. I disagree with one of the comments that states that Hall was a white-skinned movie star trying to pass himself off as a dark man; Hall's mother was Tahitian.
Dorothy Lamour, exotic and beautiful, has very little to do in this film except look frightened and lovely - you can count her lines on one hand. Hall, a total hunk if there ever was one, has more to say and do but one is so distracted by his face and physique that it becomes difficult to pay attention to anything else. The acting burden falls to Mitchell, Massey, Astor, Carradine, and Cowan, who are terrific.
Ford isn't known for his tales of the sea, but obviously he was good at everything. He wouldn't see water again until the 1950s. Lamour carried on the sarong tradition in better roles, and Hall worked into the mid-'60s; at the age of 65, dying of cancer and in excruciating pain, he shot himself.
Highly recommended as a feast of skin and brilliant special effects.
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· 250 ratings
7.1/10
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