The Homecoming

1973

Action / Drama

2
Rotten Tomatoes Critics - Certified Fresh 86% · 7 reviews
Rotten Tomatoes Audience - Upright 76% · 250 ratings
IMDb Rating 6.8/10 10 931 931

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Plot summary

In a dreary North London flat, the site of perpetual psychological warfare, a philosophy professor visits his family after a nine-year absence and introduces the four men - father, uncle and two brothers - to his wife.

Director

Top cast

Paul Rogers as Max
Ian Holm as Lenny
720p.BLU 1080p.BLU
1.03 GB
1280*696
English 2.0
PG
23.976 fps
1 hr 54 min
Seeds 2
1.91 GB
1918*1042
English 2.0
PG
23.976 fps
1 hr 54 min
Seeds 1

Movie Reviews

Reviewed by CinemaSerf 7 / 10

I’ve never really seen Paul Rogers own a

I’ve never really seen Paul Rogers own a part anything like as strongly as he portrays the curmudgeonly old “Max” in this rather bleakest of family get-togethers. He shares their London home with his brother “Sam” (Cyril Cusack) and his two sons. “Lenny” (Ian Holm) looks like he belongs in the Gestapo, bedecked in his black leather coat, and he’s got the malevolent streak to boot. “Joey” (Terence Rigby) isn’t the sharpest knife in the drawer; a would-be boxer and usually quite oblivious to the prevailing toxicity amongst this family. Then a new sparring partner arrives. The prodigal brother “Teddy” (Michael Jayston) has returned from his professorial job in the USA to visit, and to introduce his new wife “Ruth” (Vivien Merchant). Now she is no shrinking violet in the face of this onslaught of familial obnoxiousness and so, little battle commence! Now there is a great deal of dialogue here, but it’s worth sticking with as Harold Pinter unveils a characterful exhibition of ghastliness, tempered by some dark humour, all delivered by actors who really seem to be relishing their roles. Once “Ruth” gets her stall up and running, and proves she is no slouch at playing their game, the film comes alive with a compelling blend of bullying, ranting and even a grudging degree of respect from unlikely quarters. Sure, it exaggerates the dysfunctional elements of their relationships for dramatic effect, but it does so in a remarkably potent fashion. The style of photography is unnervingly disjointed, but deliberately so and it unsettles every bit as much as the dialogue. Their games are about power and about everyone knowing who has it amongst this small household and it all simmers away cleverly with Holm and Merchant on great form too. This sees a writer, director and cast working together at their best and is something to really get your teeth into.
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Reviewed by largo-17 8 / 10

Notes on " The "Homecoming"

The only comments are 1. The previous comment states that Cyril Cusak is the impotent father but Paul Rogers plays that role and 2. A character "Brian" played by a then 8 year old actor Jonathan Sachar, is shown as a member of the cast but does not appear in the 1973 adaptation. In any event the adaptation is brilliant and the photographer brings the play from the stage to the screen with his own brilliance. The performances are outstanding with Rogers dominating the screen as the bullying yet pathetic father, and Ian Holm, truly detestable as the hateful son. Finally the dialogue is as sharp and cutting as one would expect from Harold Pinter

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