A son (Kerwin Matthews) wants to join his father in the garment business. What the son doesn't know is that the father (Lee J. Cobb) is in deep with the mob--and the mob isn't about to let a union infiltrate the company. When the son sees mobsters beating up union organizers, he's appalled and can't believe that his father would condone this. But, Cobb seems unconcerned and lets his mob friend (Richard Boone) do whatever he wants. Later in the film, you learn why Boone is given so much freedom. But, the more the union and the son push, the harder Boone and his goons push back--and soon people start to die.

As one reviewer pointed out, Cobb's performance was amazingly low-key--as Cobb very often played bigger than life characters. Matthews was also good as the earnest son--as was Boone. But the reason I give this film only a five is that some characters (such as the wife of the slain union organizer) seem to have no reason to be in the film and there are also a few plot lines that just aren't developed well. For example, late in the film, Cobb decides to become honest and go to the police. First, why would he do this? He's been working with these hoods for years. Second, if he would betray his murderous friends, do you think he would tell these mobsters FIRST?!?! Any sane person would act friendly towards them and then hand over the incriminating evidence to the district attorney. You would NOT tell known murderers that they don't scare you and you're going to break with them!!! Talk about bad script writing--and this is why a generally interesting and well-acted film still only gets a five.